Confirmation: Weekly News & Notes

*The current version of the Count Basie Orchestra will provide the soundtrack to this year's holiday season for tens of thousands of music lovers. A Swingin' Christmas, a collaboration with Tony Bennett, is one of 2008's most prominent new Christmas albums. Don't miss the wacky album cover.

*Steve Penn pays tribute to Luqman Hamza. "From time to time," Penn suggests, "It’s good to let such pioneers know that they won’t be ignored any longer." I concur with Penn's praise of Hamza. But it's pretty hard to properly pay attention to the man when he doesn't have any online presence. It sure would be nice to know, for instance, if Hamza has any forthcoming gigs. Could someone please address this woeful situation?

*The New York Times published a fascinating story about jazz benefactor Baroness Pannonica de Koenigswarter. A new book features her photographs and fresh details about her relationships with greats including Charlie Parker and Thelonious Monk.

*Tim Finn profiled jazz-folk artist Krystle Warren. I've heard great things about her recent show at the Record Bar in which she was backed by some of Kansas City's best jazz musicians.

*The silent auction of Jardine's piano takes place November 1. The minimum bid is $7,000. Details are listed here.

*Robert Folsom reviewed Branford Marsalis' concert at Johnson County Community College.

*I know it's really ugly, but I continue to update the Plastic Sax Jazz Calendar with information musicians provide directly to me. If you're not there, you're not trying.

(Original image by Plastic Sax.)

Curveball

I just got off the phone with Bob Kendrick, director of marketing at the Negro Leagues Baseball Museum.

I had called to inquire about the status of True To the Game, an album benefiting the museum. It features hip hop superstars Kanye West, T-Pain, Akon and Yung Joc.

The album was scheduled for release today, but I hadn't been able to find it. Kendrick told me that the record label and distributor decided to push the album back to February to coincide with Black History Month.

That got me to thinking about one of my pet ideas- an album benefiting the American Jazz Museum.

My model is Bird Up! The Charlie Parker Remix Project. The ambitious 2003 release features acclaimed rock, hip hop and electronic musicians rethinking Parker's sound. It doesn't always work, but it's never less than interesting.

I suggest that the jazz museum reach out to Kansas City's top hip hop artists and DJs. The initial list might include Tech N9ne, Mac Lethal, XV, Reach, Stik Figa, Heet Mob, Miles Bonny, XTA-C, Approach, SKU and Rich the Factor.

They could work with original recordings of Kansas City jazz legends. Even better, perhaps, Bobby Watson and his UMKC students could provide individually tracked cover versions of the classic sounds for the hip hop guys to manipulate.

Ideally, the local stars could pull in a few name ringers from outside Kansas City to give the project additional sales potential.

So, who's in?

(Original image by Plastic Sax.)

Now's the Time: The Glenn Miller Orchestra

Attention old white people: The Glenn Miller Orchestra plays two shows Saturday at the VooDoo Lounge. Even though it's very unlikely that any elderly folk will ever find their way to this blog post, I shouldn't kid around. The original band helped inspire Americans to win the war. And Miller gave his life for the cause. Besides, this stuff is smokin' hot.

Confirmation: Weekly News & Notes

*If asked to name the definitive song in the history of Kansas City jazz, I'd have to seriously consider the Count Basie Orchestra's rendition of "Li'l Darlin'". It's lovely, lush and unabashedly romantic. Neal Hefti, the composer of the piece, died Saturday.

*Chris Burnett was kind enough to implicitly refute my naysaying in his comment to the previous Plastic Sax post. He posted a photograph of the amazing autographs he snagged during last weekend's Art Blakey tribute at his MySpace blog.

*KCUR interviewed saxophonist Javon Jackson.

*A portion of David Basse's interview for Sue Vicory's forthcoming documentary on Kansas City's jazz and blues scene streams at YouTube.

*I'm not sure that a business feature in the Star gave Basse positive publicity. The money line: "Jazz vocalist David Basse played one of his CDs to help lull Welch to sleep."

*Photographer William Claxton, renowned for his work with jazz artists including Charlie Parker, died last week.

*Upojenie, a collaboration between Pat Metheny and Anna Marie Jopek, was reissued last week. (Found via ContemporaryJazz.com)

(Original image by Plastic Sax.)

Disappointed

I was upset when Dennis Winslett announced Friday afternoon that a panel session would start at least thirty minutes late. I'd been looking forward to hearing jazz greats Curtis Fuller, Javon Jackson and Bobby Watson address the topic: Blakey Training vs. Academic Training: Reflections of the Blakey Institution.

I had rescheduled my day so that I could attend the American Jazz Museum-sponsored discussion; the delay meant I'd be forced to miss it.

My anger, however, was displaced by sadness. Only five people were in the room fifteen minutes after the event's scheduled start time. Perhaps I shouldn't blame the musicians for being so cavalier with the time. Public indifference could inspire such behavior.

The sour experience so annoyed me that I decided not to buy a ticket to the Art Blakey tribute concert Saturday at the Gem Theater. Anyone who went to the show is encouraged to leave a review in this post's comment section.

Now's the Time: Art Blakey Tribute Concert

Plastic Sax feels very fortunate that he caught the Terence Blanchard/Donald Harrison version of the Jazz Messengers in the 1980s. Seeing drummer Art Blakey alternately chide and encourage his talented young charges was a remarkable experience. Blakey died October 16, 1990. Six alumni of his band- Bobby Watson, Javon Jackson, Joanne Brackeen, Carl Allen, Essiet Essiet and Curtis Fuller- perform Saturday at the Gem Theater. Trombonist Fuller solos at the 4:15 mark of this video, but viewers who skip forward will miss Wayne Shorter's transcendent statement. This fascinating chronology of Jazz Messenger membership is invaluable for jazz trainspotters.

(EDIT: Andrew Zender of the American Jazz Museum considers Blakey's contribution at Present magazine.)

Confirmation: Weekly News & Notes

*The American Jazz Museum and the Gem Theater will be busy Friday and Saturday. Scheduled events include tours, student band performances, lectures, award ceremonies and the Art Blakey tribute concert. A recent Steve Penn column focused on Saturday's "Health & Financial Fitness Fair."

*Plastic Sax wasn't the only jazz-related recipient of a Pitch "Best of Kansas City" award. Dennis Winslett received a Best Museum Tour Guide nod for his work at the American Jazz Museum.

*Jardine's recently posted a bulletin announcing "The Society of Charter Members of the New Piano." Members are assisting with the purchase of a new instrument for the jazz club. A "New Piano Marathon" is scheduled for November 2. The existing piano is for sale. That's all well and good, but at the top of my wish list for Jardine's is the simple hope that the kitchen and bar staff not blast punk band Rise Against when musicians are on stage.

*Jazz musician Mark Southerland is also a visual artist. He's been selected by the Greater Kansas City Chamber of Commerce to design a "Kansas Citian of the Year" award.

*An MP3 blogger offers a slice of funk by Mary Lou Williams. It's a revelation to me; I'd never heard this side of the pianist.

*A blogger reviewed a recent Bobby Watson concert in Canada.

(Original image by Plastic Sax.)