*Bobby Watson chatted with Steve Kraske during the last 18 minutes of an episode of KCUR’s Up To Date program. Their conversation touched on Watson’s forthcoming concert in Kansas City.
*We the People created a music video for “Misunderstood.”
*Logan Richardson is featured on Gerald Clayton’s new album Happening: Live at the Village Vanguard.
*Miles Bonny was interviewed by Joe Dimino.
*Tweet o’ the Week: American Jazz Museum- On 7/19 we're hosting an opening reception to celebrate our new exhibition! It commemorates the centennial birthday of famous Kansas City saxophonist Charlie Parker. Co-curated by AJM and Chuck Haddix. Click here for more information.
(Original image by Plastic Sax.)
Wednesday, July 15, 2020
Sunday, July 12, 2020
Recreational Sports
I don’t miss sports. Prior to the pandemic-induced lockdown, I avidly followed leagues including the NBA and the NFL. After being forced to go cold turkey on meaningful games, I realized spectator sports no longer needed to figure in my life. A new hobby and stacks of previously neglected books filled the void.
What if my obsession with live music also wanes? I attended an average of three or four performances a week during the past 20 years. Including trips to music festivals in Louisville and Chicago, I spent more than 200 nights enjoying live music in 2019. Aside from buskers outside my neighborhood grocery store, I haven’t heard live music in more than four months. The deprivation hasn’t killed me.
Maybe I’ve been going to shows out of force of habit rather than genuine need. I’ll almost certainly be more selective about the performances I attend when it’s finally safe to do so. Besides, the coronavirus has essentially put me out of work. Money’s going to be tight for the foreseeable future. My absence in nightclubs and concert halls won’t be missed, but what will happen if even a quarter of the 150 other people who make up the core jazz audience in Kansas City come to the same conclusion after reassessing their priorities?
(Original by Plastic Sax.)
What if my obsession with live music also wanes? I attended an average of three or four performances a week during the past 20 years. Including trips to music festivals in Louisville and Chicago, I spent more than 200 nights enjoying live music in 2019. Aside from buskers outside my neighborhood grocery store, I haven’t heard live music in more than four months. The deprivation hasn’t killed me.
Maybe I’ve been going to shows out of force of habit rather than genuine need. I’ll almost certainly be more selective about the performances I attend when it’s finally safe to do so. Besides, the coronavirus has essentially put me out of work. Money’s going to be tight for the foreseeable future. My absence in nightclubs and concert halls won’t be missed, but what will happen if even a quarter of the 150 other people who make up the core jazz audience in Kansas City come to the same conclusion after reassessing their priorities?
(Original by Plastic Sax.)
Friday, July 10, 2020
Now's the Time: Bob Brookmeyer
Trombonist Douglas Perviance insists that “Bob Brookmeyer has had an influence on every writer in the jazz idiom that came after him” in “A Suite for Three.” The film documents the Vanguard Jazz Orchestra’s 2009 trip to Columbia, Missouri. Brookmeyer, a Kansas City native, died in 2011.
Wednesday, July 8, 2020
Confirmation: Weekly News & Notes
*The Kansas City Star reports that the Kansas City Jazz Orchestra’s fall and winter concerts are among the few events still on the books at the Kauffman Center for the Performing Arts.
*No musicians from Kansas City are among the more than five dozen winners named in the 2020 DownBeat Critic’s Poll.
*Tweet o’ the Week: Eda Karat- Kansas City you gotta quit sleeping on jazz, it's such an important part of our history there
*From a press release: Over 25 Kansas City-based musicians came together to create Kansas City Syzygy, a compilation of music created during the shutdown of the world in the Spring of 2020… The nineteen songs on the album span the entire spectrum of music… The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants… Trevor Turla, Jeff Harshbarger, Robert Castillo, John Kizilarmut and We the People are among the jazz-related artists contributing to the project.
(Original image by Plastic Sax.)
*No musicians from Kansas City are among the more than five dozen winners named in the 2020 DownBeat Critic’s Poll.
*Tweet o’ the Week: Eda Karat- Kansas City you gotta quit sleeping on jazz, it's such an important part of our history there
*From a press release: Over 25 Kansas City-based musicians came together to create Kansas City Syzygy, a compilation of music created during the shutdown of the world in the Spring of 2020… The nineteen songs on the album span the entire spectrum of music… The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants… Trevor Turla, Jeff Harshbarger, Robert Castillo, John Kizilarmut and We the People are among the jazz-related artists contributing to the project.
(Original image by Plastic Sax.)
Labels:
Jazz,
Kansas City,
Kansas City Jazz Orchestra,
Robert Castillo
Sunday, July 5, 2020
Album Review: Steve Cardenas- Blue Has a Range
Pat Metheny employs a vast sonic canvas on From This Place. I praise Metheny's evocation of the “incalculable immensity of space” in my review of his new album. Steve Cardenas, the second most artistically renowned living jazz guitarist from the Kansas City area, takes the opposite approach on Blue Has a Range. Released on Sunnyside Records on July 10, the album is a dazzling miniature.
Cardenas and his celebrated collaborators- pianist Jon Cowherd, bassist Ben Allison and drummer Brian Blade- prove that small-scale refinement can be just as profound as loud flamboyance. The variations on the blues implied by the title may be subtly articulated, but they express enormous ideas. Cowherd’s excellent playing emphasizes the influence of Thelonious Monk on Cardenas’ compositions. All four members of the band leaven their knotty inclinations with thoughtful serenity.
Although “Reflector” is an undeniable earworm, the quiet gracefulness of tracks including “Language of Love” may struggle to capture the attention they deserve in a world dominated by flashiness. Yet the stunning magnification of intimate beauty will be revealed to listeners willing to pay close attention to the hushed Blue Has a Range.
(Original image of the Mediterranean Sea by Plastic Sax.)
Cardenas and his celebrated collaborators- pianist Jon Cowherd, bassist Ben Allison and drummer Brian Blade- prove that small-scale refinement can be just as profound as loud flamboyance. The variations on the blues implied by the title may be subtly articulated, but they express enormous ideas. Cowherd’s excellent playing emphasizes the influence of Thelonious Monk on Cardenas’ compositions. All four members of the band leaven their knotty inclinations with thoughtful serenity.
Although “Reflector” is an undeniable earworm, the quiet gracefulness of tracks including “Language of Love” may struggle to capture the attention they deserve in a world dominated by flashiness. Yet the stunning magnification of intimate beauty will be revealed to listeners willing to pay close attention to the hushed Blue Has a Range.
(Original image of the Mediterranean Sea by Plastic Sax.)
Labels:
Jazz,
Kansas City,
Pat Metheny,
Steve Cardenas
Thursday, July 2, 2020
Now's the Time: Born to Swing
What happens when the world moves on decades after you altered the cultural landscape? The 1973 British documentary “Born to Swing” attempts to answer the question through the prism of the Kansas City jazz diaspora. Not all 47 minutes of the occasionally grim film are pertinent, but the best segments are essential.
Wednesday, July 1, 2020
Confirmation: Weekly News & Notes
*Steve Cardenas’ new album Blue Has a Range will be released on July 10.
*Three news reports- here, here and here- document and analyze recent fatal shootings in the Jazz District.
*A city councilman lobbies for the relaxation of regulations in the Jazz District in an effort to attract party-minded revelers.
*Tweet o’ the Week: James De Noir- I want everybody to tune in this week for the @jazzwalkkc Jazzy Jamdemic Live Stream. I’ll be blessing the stage of the Historic Gem Theater. You don’t want to miss this!
(Original image by Plastic Sax.)
*Three news reports- here, here and here- document and analyze recent fatal shootings in the Jazz District.
*A city councilman lobbies for the relaxation of regulations in the Jazz District in an effort to attract party-minded revelers.
*Tweet o’ the Week: James De Noir- I want everybody to tune in this week for the @jazzwalkkc Jazzy Jamdemic Live Stream. I’ll be blessing the stage of the Historic Gem Theater. You don’t want to miss this!
(Original image by Plastic Sax.)
Labels:
18th and Vine,
Jazz,
Jazzy Jamdemic,
Kansas City,
Steve Cardenas
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