Your gray-haired correspondent was one of the youngest members of the audience of about 125 at Polsky Theatre last Tuesday for a free lunch hour concert by a quartet led by Hermon Mehari (Plastic Sax’s 2009 Person of the Year).
A friend suggested that the trumpeter and his band mates- pianist Peter Schlamb, bassist Karl McComas-Reichl and drummer John Kizilarmut- deliberately played conservatively to avoid offending their elders. I’m not so sure. I think Mehari’s default jazz mode is based on the sound Miles Davis established in the 1950s in his landmark recordings for Prestige Records.
I understand why my pal was disappointed by the polite bop recital, but I found plenty to appreciate. Mehari’s feathery tone was in fine form and McComas-Reichl and Kizilarmut were impeccable, but Schlamb’s playing was absolutely mesmerizing. I was repeatedly floored by Schlamb’s next-level concepts.
Primarily known as a vibraphonist, Schlamb’s ideas may be even better conveyed via piano. His subtly subversive contributions to otherwise conventional interpretations of “These Foolish Things” and “As Time Goes By” thrilled me. A rendition of Schlamb's “Tatra”- a composition Mehari said would be included on his forthcoming solo album- was the most dynamic of the eight selections.
Setlist: If I Were a Bell, September in the Rain, Chi Chi, As Time Goes By, The Lamp is Low, Tatra, These Foolish Things, Stomping at the Savoy
(Original image by Plastic Sax.)
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