Confirmation: Weekly News & Notes

*David Basse and Joe Cartwright were interviewed by Steve Kraske on KCUR’s Up to Date talk show.

*Eddie Moore is profiled in a two-minute video feature created by KCPT.

*Mills Record Company recommends recordings by Chris Hazelton’s Boogaloo 7, Eddie Moore and the Outer Circle and the Jorge Arana Trio as attractive gift ideas for jazz fans.

*Patrick Alonzo Conway was interviewed by Joe Dimino.

*Chris Burnett listed his favorite albums of 2016.

*Logan Richardson’s Shift placed in Nextbop's top albums of 2016 list.

*Tweet o’ the Week: Marilyn Kallet- The latest issue of New Letters has a great poem by Yusef Komunyakaa, four by Alice Friman, as well as jazz photos from Kansas City. Bravo!

*Comment o’ the Week: Kelly Buckley- Love love love Eddie and his music! Thanks for honoring him in this way!

(Original image by Plastic Sax.)

Confirmation: Weekly News & Notes

*Chuck Haddix interviewed Chris Hazelton on KCUR.

*Jessie Riggins lauded the Kansas City Jazz Orchestra’s most recent concert.

*The Kansas City Star reviewed the Owen/Cox Dance Group and the People’s Liberation Big Band’s production of “The Nutcracker and the Mouse King.”

*Joe Klopus advises readers that Logan Richardson will return to the Blue Room on Thursday.

*Jorge Arana analyzed one of his compositions for KCUR.

*Flatland commends the Charlotte Street Foundation grant recipient Eddie Moore.

*Todd Strait chatted with Joe Dimino.

*Marc Myers examines 1970s-era Count Basie.

*The Kansas City Star reports on construction projects in the Jazz District.

*Tweet o’ the Week: David Megee- Psychedelic xylophone at Green Lady Lounge. Yep.

*From Michael Shults: ”Wisconsin Public Television produced a documentary on the Eau Claire Jazz Festival, airing now. Here's a clip of KC jazz heavyweights Schlamb, Kizilarmut, and Bowman backing festival guest artists Jimmy Heath and Stefon Harris at the finale concert."

(Original image by Plastic Sax.)

Plastic Sax's Favorite Performances of 2016

Favorite Performances by Kansas City Artists
1. Marilyn Maye- Quality Hill Playhouse
2. Eddie Moore and the Outer Circle- Tank Room
3. Logan Richardson- Blue Room (Plastic Sax review)
4. Matt Otto Septet- Blue Room (Plastic Sax review)
5. Matt Villinger- Orion Room at the Green Lady Lounge
6. Karrin Allyson- Folly Theater
7. Gerald Spaits’ Sax & Violins- Westport CoffeeHouse (Plastic Sax review)
8. Jorge Arana Trio- Mills Record Company
9. Hermon Mehari Quartet- Polsky Theatre (Plastic Sax review)
10. Mark Southerland, Annie Ellicott, Jeff Harshbarger and John Kizilarmut- Californos

Favorite Performances by Artists From Elsewhere
1. Tortoise- Granada
2. Christian McBride Trio- Folly Theater
3. Pablo Ziegler’s Quartet for New Tango- Polsky Theatre (Plastic Sax review)
4. Allison Miller’s Boom Tic Boom- Blue Room
5. Roy Ayers- Blue Room
6. Candido- American Jazz Museum (Plastic Sax review)
7. Jazz at Lincoln Center Orchestra- Midland theater
8. The Bad Plus with Joshua Redman- Gem Theater
9. Bill Frisell- Atkins Auditorium
10. Béla Fleck & the Flecktones- Muriel Kauffman Theatre

Plastic Sax conducted similar surveys in 2015, 2014, 2013, 2012, 2011 and 2010.

(Original image by Plastic Sax.)

Plastic Sax’s Favorite Albums of 2016

Favorite Kansas City Albums
1. Charlie Parker- Unheard Bird: The Unissued Takes, (Plastic Sax review at KCUR)
2. Logan Richardson- Shift, (Plastic Sax review at KCUR)
3. Pat Metheny Unity Group- The Unity Sessions, (Plastic Sax review)
4. Eddie Moore and the Outer Circle- Kings & Queens, (Plastic Sax review at KCUR)
5. Chris Hazelton's Boogaloo Seven- Soul Jazz Fridays, (Plastic Sax review at KCUR)
6. Matt Otto- Soliloquy, (Plastic Sax review at KCUR)
7. Mike Dillon- Functioning Broke
8. Paul Shinn Trio- Into That Good Night, (Plastic Sax review)
9. Jorge Arana Trio- Mammoth, (Plastic Sax review)
10. Matt Hopper- First Love, (Plastic Sax review)

Favorite Albums From Elsewhere
1. David Murray, Geri Allen, and Terri Lyne Carrington- Perfection
2. Nels Cline- Lovers
3. Allison Miller’s Boom Tic Boom- Otis Was a Polar Bear
4. Amina Claudine Myers- Sama Rou
5. Elliot Galvin Trio- Punch
6. Charlie Hunter- Everybody Has a Plan Until They Get Punched In the Mouth
7. Charles Lloyd & the Marvels- I Long To See You
8. Laura Jurd’s Dinosaur- Together, As One
9. John Scofield- Country For Old Men
10. Marcus Strickland’s Twi-Life- Nihil Novi

Plastic Sax conducted similar exercises in 2015, 2014, 2013, 2012, 2011 and 2010.

(Original image by Plastic Sax.)

Album Review: The Jorge Arana Trio- Mammoth

The Record Cabinet, a Kansas City area record store in the 1990s, specialized in obscure recordings of improvised music.  James DeRigne, the shop’s proprietor, embraced Kansas City swing and European prog-rock.  In DeRigne’s world, the rhythms produced by the Basie drummer Jo Jones and the King Crimson drummer Bill Bruford were inextricably linked.  Had he not died in 2008, DeRigne would likely have embraced the Jorge Arana Trio.  The Kansas City based instrumental ensemble creates freak-jazz and math-rock that sounds like the correct solution to a complex equation in which Robert Fripp is divided by Sonny Sharrock.  Mammoth, the Jorge Arana Trio’s astounding new album, contains 30 minutes of hyper-kinetic noise.

(Original image by Plastic Sax.)

Now's the Time: The Jorge Arana Trio

Jorge Arana Trio plays with the daring spirit if not the style of the Kansas City jazz innovator Charlie Parker.  The improvisatory instrumental group will celebrate the release of the new album Mammoth at RecordBar on Friday, September 2.  Oso, the Jorge Arana Trio’s previous recording, ranked #5 on Plastic Sax’s Top Kansas City Albums of 2014 list.

Now's the Time: Bent Knee

The Mahavishnu Orchestra lives!  The Boston band Bent Knee updates the grandiose prog-rock/fusion of the 1970s for a new generation of listeners who adore Snarky Puppy.  The Jorge Arana Trio and Great Vehicle open for Bent Knee at MiniBar on Monday, June 13.

Fabricating a Festival

The transmutation of Jazz in the Woods into SoJo Summerfest is a disheartening blow to the jazz community.  Details about the 2016 editions of the one-day events The Prairie Village Jazz Festival and The 18th & Vine Jazz and Blues Festival are still under wraps.

Neglected jazz aficionados in Kansas City have been provided with plenty of reasons to eye the ambitious lineups of  large-scale, multi-day festivals in Chicago, Detroit and Iowa City.

Kansas Citians needn’t succumb to wanderlust.  With careful planning and a willingness to bar-hop, it’s possible to fashion makeshift jazz festivals.  That’s what I did on the opening night of Ink’s Middle of the Map Fest.   The four-day music portion of the festival has an indie-rock orientation, but I managed to catch three engaging left-of-center jazz sets on Wednesday.

The Jorge Arana Trio evoked the abrasive electric jazz associated with the late Sonny Sharrock at Mills Record Company.  The quartet of vocalist Annie Ellicott, the modified instrument master Mark Southerland, bassist Jeff Harshbarger and drummer John Kizilarmut veered between conventional jazz standards and wild flights of fancy at Californos.  Backed by elite musicians including keyboardist Brad Cox and guitarist Beau Bledsoe, the former Kansas City resident Krystle Warren performed a compelling blend of folk, gospel and jazz at the same venue. 

Devotees of small jazz ensembles could make a full night of sampling the offerings at the cocktail lounges of restaurants including The American, Cafe Trio, Chaz and Sullivan’s.  People who prefer not to drive could partake of the miniature festival that transpires at Green Lady Lounge every weekend.

Still not satisfied?  The three-day festival in the jazz capital of Iowa City features performances by bands led by heavy hitters including Edmar Castaneda, Vijay Iyer, Allison Miller, Poncho Sanchez and Miguel Zenón.  I may see you there.

(Original image of Krystle Warren and Brad Cox by Plastic Sax.)

Confirmation: Weekly News & Notes

*An audio version of KCUR’s review of Logan Richardson’s Shift was aired by KCUR last week and is available for streaming.

*Bobby Watson performed “Mandela” with an all-star group that included Hugh Masekela on the television broadcast of “Jazz at the White House,” a component of International Jazz Day.  He also performed “Just One of Those Things” with Jamie Cullum.  Pat Metheny accompanied Sting on “Sister Moon” and was present for a rendition of John Lennon’s “Imagine.”  Metheny’s performance of “Minuano (Six Eight)” didn’t make the broadcast but can be enjoyed at the 42:15 mark of “private” 90-minute videos of the event that can be found online.

*Steve Kraske chatted with Bobby Watson about his experience at the White House.

*Footage of a band led by Dino Massa was captured at the Art Factory last week.

*Joe Klopus previewed gigs by Alan Ferber and Delfeayo Marsalis.  The Pitch also highlighted Marsalis’ show.

*Benny Green, the Rebirth Brass Band and Bria Skonberg are among the jazz artists booked in the 2016-17 performing arts season of the Lied Center in Lawrence.

*Tweet o’ the Week: Middle of the Map- Jorge Arana Trio on the @riotroom patio / Sweet electro-jazz sound #motmkc'ers

*The Kansas City Jazz Calendar has been updated.

(Original image by Plastic Sax.)

Now's the Time: The Jorge Arana Trio

Does the Jorge Arana Trio play jazz?  The group’s music is certainly a lot closer to the form than almost any of the more than three dozen other ensembles slated to perform at a handful of area retailers on Record Store Day.  The band will play at 9 p.m. Saturday, April 16, at Mills Record Company.

Confirmation: Weekly News & Notes

*Chris Robinson reviewed Eddie Moore and the Outer Circle’s Live in Kansas City.

*Danny Alexander wrote a thoughtful review of a new album by Johnny Hammil’s Gav7d.

*Natalie Gallagher dares to dig into the BCR archives.

*The Jorge Arana Trio created a video for “Crime of Passion Fruit.”

*The Ptich recommends a Megan Birdsall gig.

*A writer for The New York Times ponders the baseball and jazz connections between New York and Kansas City.

*Chris Burnett elucidates a friendly World Series wager made by the American Jazz Museum and the Louis Armstrong House Museum.

*Tweet o’ the Week: Darcy James Argue- Congratulations to Kansas City for recapturing the coveted Jazz Capital of the World title for the first time since 1936.

*I apologize for not updating the Kansas City Jazz Calendar for November.  I’ll get to it this weekend. 

*From Gerald Spaits: Sax and Violins, A Double Quartet… featuring: Gerald Spaits on Bass, Charles Perkins: alto sax, Bass Clarinet, Rich Wheeler: Soprano sax, Tenor sax, Brian Steever: drums and percussion (and) Strings: Adam Galblum : violin, Matthew Bennett: violin, Chisitine Grossman: viola, Justin Cowart: cello. This concert features original music of Gerald Spaits as well arrangements of Thelonious  Monk, Duke Ellington, the Beatles and more… I've brought this particular group together to explore new possibilities in combining different genres of music in an improvising setting… The strings are not just added to the jazz quartet for background but are interactive within the ensemble… 7 p.m. Wednesday, November 18, 2015, Westport CoffeeHouse Theater. $10.00.

(Original image of Ron Carlson's band by Plastic Sax.)

Confirmation: Weekly News & Notes

*Doug and Lori Chandler, Plastic Sax's People of the Year in 2013, have announced that Take Five Coffee + Bar will close following a performance on August 15.  A portion of their statement is at the bottom of this post.   The Pitch, The Kansas City Star and KCUR reported on the closure.   Clint Ashlock and KC Jazz Lark comment on the disappointing news.

*The headliners of the American Jazz Museum’s 18th & Vine Jazz & Blues Festival on October 10 are the Family Stone, Conrad Herwig, Popa Chubby and Dwele.

*The Ottawa Sessions, a piano trio album featuring Michael Pagán, Bob Bowman and Brian Steever, is available now.

*An editorial in The Kansas City Star suggests that the American Jazz Museum “should play a more vital and inspiring role in the city than it has.”

*The Pitch touts a gig by Peter Schlamb’s Electric Tinks.

*The Jorge Arana Trio created a 30-second trailer for its forthcoming album.

*Bobby Watson performed the National Anthem at a public ceremony last week.

*The lineup of the Charlie Parker Jazz Festival (in New York) includes the Oliver Lake Big Band, Andy Bey, Rudresh Mahanthappa and Myra Melford.

*Tweet o’ the Week: HNIC… again- He must be trying to get ideas for his side chick cause I'm not going to a jazz lounge.

*Comment o’ the Week: Anonymous- To each his own. I currently prefer any type of replication of 1955-era swing to a flawed version of jazz-informed R&B!

*The Kansas City Jazz Calendar has been updated.

*From Take Five Coffee + Bar: We are very sad to have to make this announcement, but Take Five is going to be taking an indefinite “set break” (in other words, we’re closing our doors) effective August 15… Thank you all for participating in the creation of a community unlike any other in this part of the city… Thank you again to those who supported us, cheered us on, became regulars, brought others to be regulars, sat breathless in front of Trio M, Bobby Watson, Avishai Cohen and the immense talent of our Kansas City jazz scene.  We are proud of what we accomplished, and there’s more to be done.  We’re just Taking Five.

(Original image by Plastic Sax.)

Confirmation: Weekly News & Notes

*Tim Finn reports on Mark Lowrey's new album, the keyboardist's collaboration with Tech N9ne and a jazz-based benefit show on Saturday.

*Here's an advance peak at Dominique Sanders' new album.  Chris Mills of Demencha is driving the bandwagon.

*The Kansas City Star reviewed Karrin Allyson's concert at the Folly Theater.

*Steve Kraske chatted with Karrin Allyson on KCUR's Up to Date.  Recordings by the Project H, Peter Schlamb and the Jorge Arana Trio were featured on the program's year-end survey of the best music of 2014.

*KC Jazz Lark begins a recap of 2014.

*The Pitch recommends a couple jazz gigs.

*Vanguard Jazz Orchestra's Over Time: The Music of Bob Brookmeyer (#16) and the Pat Metheny Unity Group's Kin (#43) made the cut in the 2014 NPR Music Jazz Critics Poll.

*Joe Dimino interviewed Fred Hersch for his Neon Jazz podcast.

*Tweet o' the Week: Ryan Heinlein- It's festival submission season, followed by rejection letter season. Hopefully it's a shorter season than last year.

(Original image by Plastic Sax.)

Confirmation: Weekly News & Notes

*Bob Bowman was interviewed by Joe Dimino for the Neon Jazz podcast.

*KC Jazz Lark reviews new albums by Bob Bowman and Tyrone Clark.

*Book of Gaia appeared on a local television program.

*The Pitch recommends Tyrone Clark's gig at the Blue Room.

*The blog of Mills Record Company touts a concert featuring the Jorge Arana Trio.

*Hermon Mehari shared a sample of last Saturday's performance at the Blue Room.

*The Vanguard Jazz Orchestra's OverTime: Music Of Bob Brookmeyer was nominated for a Grammy award in the category of Best Large Jazz Ensemble Album.

*Tweet o' the Week: Green Lady Lounge- Jazz doesn't suck. Taking 25min set breaks and 10mins deciding what the next Jobim standard you're going to play sucks.

*Comment o' the Week: Anonymous- Nice to see Flying Lotus at the top of your list. Not my favorite of the year, but hats off to you and him for putting a needle in the arm of the current day jazz scene. (And aren't you an old dude? - ha!)

*From the American Jazz Museum: On Thursday, December 18, we will host the 7th Annual Musicians' Appreciation Day, in partnership with Truman Medical Centers, the Coda Jazz Fund, and Elder Statesmen of Jazz. Jazz musicians can take advantage of free health screenings and a mobile marketplace of fresh produce provided by Truman Medical Centers and enjoy a performance by Elder Statesmen of Jazz in the Blue Room.

*From the University of Kansas: The University of Kansas Jazz Ensemble I and the University of Missouri Concert Jazz Band will meet for two shows on Saturday, Dec. 13, 2014 at The Blue Room in the American Jazz Museum in Kansas City, MO… These unique concerts feature KU Jazz Ensemble I led by Dan Gailey, KU director of Jazz Studies, and MU Concert Jazz Band led by Dr. Arthur White, MU director of Jazz Studies.

(Original image by Plastic Sax.)

Plastic Sax's Top Albums of 2014

Plastic Sax's Favorite Kansas City-Related Jazz Albums of 2014
1. Peter Schlamb- Tinks (Plastic Sax review.)
2. Pat Metheny Unity Group- Kin (Plastic Sax review.)
3. The Project H- We Live Among the Lines (Plastic Sax review.)
4. Diverse- Our Journey (Plastic Sax review.)
5. Jorge Arana Trio- Oso (Plastic Sax review.)
6. Frank Wess- Magic 201
7. Everette DeVan- For the Love of You (Plastic Sax review.)
8. J.E. Chapman- 364 Days (Plastic Sax review.)
9. David Basse- The Hero and the Lover… (Plastic Sax review.)
10. Shades of Jade- Fingerprinted Memories (Plastic Sax review.)

Plastic Sax's Favorite Jazz Albums of 2014 From Elsewhere
1. Flying Lotus- You're Dead!
2. Kris Bowers- Heroes + Misfits
3. Danilo Pérez- Panama 500
4. David Binney- Anacapa
5. Ambrose Akinmusire- The Imagined Savior Is Far Easier to Paint
6. Takuya Kuroda- Rising Son
7. Bohren & der Club of Gore- Piano Nights
8. GoGo Penguin- v2.0
9. Regina Carter- Southern Comfort
10. Oliver Lake Organ Quartet- What I Heard

Similar year-end listings were published at Plastic Sax in 2013, 2012, 2011 and 2010.

(Original image by Plastic Sax.)

Confirmation: Weekly News & Notes

*The Jorge Arana Trio was interviewed by The Pitch.

*KC Jazz Lark provides a second round of excellent photos of the Prairie Village Jazz Festival.

*Shades of Jades' Fingerprinted Memories, Pt. 1 has been released.

*Matt Kane reports on a forthcoming album featuring several of Kansas City's best-known jazz artists.

*The Pitch recommends Diverse's upcoming gig at Take Five Coffee and previews the Bridge Street Jazz and Food Fair in Smithville.

*The Education Department of the American Jazz Museum has a provided a list of supplemental activities at the 18th & Vine Jazz and Blues Festival on October 11.  A couple highlights: a master class with Tivon Pennicott, 9:30-10:30 a.m. at the Gem Theater; a jazz film discussion titled Production Techniques in Early Jazz and African American Dance Films, 4:00-5:00 at the John H. Baker Film Collection room.

*Joe Dimino interviewed Matthew Shipp and Lonnie Smith for his Neon Jazz podcast.

*Tweet o' the Week: Ryan Heinlein- Reverbnation is a joke. Thought I would play nice and put a new song up there but they wanted $40 for an upgrade. No thanks! (cont.)

*From Take Five Coffee + Bar: So the first season of Take Five Coffee + Bar comes to a close this weekend. To ease the unease over the end of a time that has been almost magical for all of us involved, we've lined up four nights of music to blast good into the universe from 151st and Nall one more time. The next season will begin in mid-October, more about that at the bottom of all this. First, we want to thank you all for your support of live music in this part of the world. All together, we can grow the circle of people for whom live music matters. Most of all, we want to tell you about this ... Thursday, September 25, 7pm: The Peter Schlamb Quartet… Friday, September 26, 8pm: Bob Bowman with Todd Strait and Roger Wilder… Saturday, September 27, 8pm: Grisha Alexiev Quartet… Sunday, September 28, 7pm: Diverse… What's next? We don't know for certain what day the doors will open at Corbin Park (all depends on inspections and permits). We do know when we're going to invite the world in to see what we think a jazz coffee shop could be. You'll have a place to set your drink. Or your plate. We'll have more than twice the seating. There'll be comfy chairs right in front of the band. A real piano. A stone fireplace. A low stage large enough to hold a screaming big band. Still intimate, still your suburban oasis, still Take Five. The new address is 6601 W 135th St, Suite A-21, Overland Park, KS 66223…

*From Kansas City Kansas Community College: Mike Ning, nationally-renowned jazz pianist and adjunct music instructor at Kansas City Kansas Community College, kicks-off the first ever “Artist’s Series” at the newly launched “The Gallery.”… Ning will host an artist’s reception from 3 to 6 p.m. Sept. 25 at KCKCC’s “The Gallery,” 7250 State Ave., where he will play piano and speak about his work...  His show, “Celebration of Life! Coming to America /Goin’ to Kansas City!” is open from Sept. 22 through Oct. 3...

(Original image by Plastic Sax.)

Confirmation: Weekly News & Notes

*Shay Estes won the Jazz Solo category and Project H claimed the prize for top Jazz Ensemble at Sunday's Pitch Music Awards ceremony.

*An Indiegogo campaign has been created to raise funds for the Alaadeen Jazz Master/Apprentice Program.

*A local television station produced a two-minute feature on Tim Whitmer.

*The Pitch recommends the Paul Shinn Trio's four-night residency at the Green Lady Lounge.

*"Do It Up & Do It Right" is another track from the Project H's forthcoming album.

*KC Jazz Lark commemorates his blog's fifth anniversary with a round of great photos.

*A new generation of plastic saxophones is being created.

*Dean Minderman of St. Louis Jazz Notes reports that Mary Halvorson, Roscoe Mitchell, Craig Taborn, Glenn Kotche and Tim Berne are among the artists featured in New Music Circle's 2014-15 season.

*Tweet o' the Week: Mills Record Company- Okay...Jorge Arana Trio and Temp Tat too. Haymaker Records Brenton has been tuning up the projector since 2 today. He has a video to show you

*Comment o' the Week: KC Jazz Lark: I was at The Phoenix about the same time, maybe a little earlier, with a couple of friends. The club was about half filled for Tim Whitmer & KC Express with Lori Tucker, with more people streaming in when we left. That's something The Phoenix has done well: Between Lonnie McFadden on Friday evenings and Tim on Saturdays, they have found a couple of popular and fun acts who have built a buzz and make people think of The Phoenix when conisdering where to get some drinks downtown on a weekend evening, I don't know which other musicians could build a similar buzz at other clubs, but it''s something Green Lady could use and Broadway Jazz Club needs.

*From Jim Mair: Jazz by the Lake so far: First Thursday of the Month noon to 1pm KCKCC Conference Center by the Lake. Thursday September 4:KCKCC Jazz Faculty Cuba Kick Off. Thursday October 2: Diana Herold/Grisha Alexiev Quartet from New York City. Thursday November 6: The Roberto Magris Trio (pianist from Italy and J Mood recording Artist).

(Original image by Plastic Sax.)

EP Review: Jorge Arana Trio- Oso

In constant jeopardy of lapsing into staid routine, jazz needs an occasional swift kick in the pants.  The Jorge Arana Trio is providing the uncomfortable wallop to Kansas City's jazz scene.  The band will celebrate the release its new EP Oso at the RecordBar on Saturday, July 19.  Haymaker Records describes the band's approach as "an avant-garde geometry of rock, jazz, classical, punk, electronic, experimental, and incidental music."  I detect traces of James "Blood" Ulmer, Ennio Morricone and the noisy jazz guitar of Greg Ginn.  It's bracing stuff that's every bit as significant as the mainstream efforts of more conventional musicians.

(Original image by Plastic Sax.)

Album Review: Mike Dillon's Band of Outsiders

I spent much of the weekend attending showcases by hip-hop and punk musicians at Ink's Middle of the Map Fest.  With the possible exception of two or three bookings including the Jorge Arana Trio, jazz-based artists were not among the 120 acts featured at the three-day festival.

The glaring omission might have been filled in part by Mike Dillon.  His new album Band of Outsiders is a potent blend of jazz, punk and jam band elements. 

Dillon has spent a significant portion of his career playing jazz-inspired music in rock-oriented venues in Kansas City.  Tom Waits and Frank Zappa are obvious reference points, but I've long thought of Dillon's sound as Lionel Hampton jamming with the Minutemen.  And because the new album features the exciting young trombonist Carly Meyers, the influence of J.J. Johnson is now an integral part of the mix.  (Meyers is featured in a 2013 performance with Dillon at St. Louis' KDHX here.)

Dillon and his partners in crime play jazz with sharp elbows.

I love attending jazz performances at refined clubs and concert halls.  Yet last weekend served as another reminder that jostling with dance-minded celebrants at crowded nightclubs is exhilarating.  When I listen to the earliest recordings of Kansas City jazz pioneers ranging from Bennie Moten to Charlie Parker, I sense a visceral sense of danger.  Much of today's jazz lacks that populist sense of immediacy.

Dillon's new album helps reestablish jazz's neglected connection to the functional music of the street.

(Original image by Plastic Sax.)

Confirmation: Weekly News & Notes

*JJ's, a Plaza-area restaurant that regularly featured live jazz, was destroyed by a natural gas explosion yesterday.

*KCJazzLark praises the Green Lady Lounge.

*The Kansas City Star reviewed last weekend's concerts by Kenny Garrett, Kurt Elling and Bobby Watson with the Kansas City Symphony.  KC Metropolis also offers a review of Garrett's performance.

*Here's tantalizing footage of a rehearsal for Bobby Watson's collaboration with the Kansas City Symphony.

*Michael Shults performed the National Anthem at a University of Cincinnati game.

*Brandon Draper's February 16 set at Take Five Coffee + Bar is available as a free download at Bandcamp.

*The Jorge Arana Trio are captured in a session at KJHK.

*Phonologotron posted a portion of a recording from a recent rehearsal.

*Chris Burnett shares another draft of an arrangement of a new composition.

*Prior to Kenny Garrett's performance, Gale Tallis, Executive Director of the Folly Theater, announced that Stan Kessler and Matt Otto would perform with Matthew Rybicki at the bassist's concert on March 9.

*Wynton Marsalis and the Jazz at Lincoln Center Orchestra will return to Helzberg Hall on October 19.

*Joe Sample will be 12th Street Jump's featured guest artist in a taping of the show at White Recital Hall on March 26.

*UMKC will host the Midwest Bisexual Lesbian Gay Transgender Ally College Conference in 2014. The University News reports that "(t)he speakers and entertainment for the event will be focused on" the "Jazzin' It Up" theme.

*A new exhibit at the University of Kansas is titled “Rhythm and Meaning: Jazz at KU.” (Via Offstage.)

*You Tube gold: "UMKC Concert Jazz Band Rehearsal with Howard Johnson (2006)".

*Tweet o' the Week: brandondraper- Free Album!!! brandondraper.bandcamp.com. Ambient, drum 'n bass, hip hop, jazz, rock, 70's funk, Afro-Cuban,indie-rock.

*Comment of the Week: Nigel- That ladies and Gentlemen is how to hold the audience in the palm of your hand. It was a great clinic in "working the room".  Class, grace, style, polish and COMPETENCE!

*From Bill Lee: 95-year-old Clyde Bysom and his band Junkyard Jazz will be inducted into the Kansas Music Halll of Fame at Liberty Hall inn Lawrence on March 2. Junkyard jazz plays at the Lawrence American Legion Hall every Thursday evening.  Other 2013 inducteees are the Devestating Dinks (Salina), the Exceptions (Topeka), Ray Hildebrand (Paul of Paul & Paula, Prairie Village), Kerry Livgren (Berryton), Chuck Mead (Lawrence), Mystic Number National Bank (KC), the Playmate Blues Band (Hays), the Tempests (Hays), Steve Werner (KC), the Wizards From Kansas (Lawrence), Sherman Halsey (Independence, KS) and Larry Emmett & the Sliders (DeSoto).

*From Jason Bata: The Lincoln Prep Bands are hosting a benefit concert for their Wind Ensemble's trip to perform in Carnegie Hall this March.  The Lincoln Prep Jazz Ensemble & Combo will start the concert that will then feature The Kicks Big Band with Horace Washington.  The concert begins at 7:30pm on Thursday, February 21, in the LCPA Auditorium (2111Woodland). There will be food beforehand for $5 (burritos or nachos & a drink).

*From Kent Rausch: Roarin' Out Of KC! Kansas City's Vine Street Rumble Jazz Orchestra was formed to honor the legacy of the "golden era" of our city's world renowned jazz history. The band exclusively performs the same outrageously exciting music that made Kansas City THE place to be in the 30's and 40's, dedicated to taking the audience back to the wildly famous "jam sessions" and concert performances that literally changed the jazz world and influenced musicians from coast to coast and beyond… Saxophone: Mike Herrera, Steve Lambert, Brett Jackson, Carl Bender; Trumpet: Jay Sollenberger, Barry Springer, Al Pearson; Trombone: Jason Goudeau, Dan Strom; Piano: Walter Bryant; Guitar: Rod Fleeman; Bass: Zach Beeson; Drums: Jurgen Welge; Vocals: Lonnie McFadden. When:   Monday Feb. 25, 2013  8:00-9:30pm.  Where:  Californos.  Cost: Free!

(Original image by Plastic Sax.)