Showing posts with label Molly Hammer. Show all posts
Showing posts with label Molly Hammer. Show all posts

Sunday, May 31, 2020

A Jerk Judges the Jazzy Jamdemic

I’ve long believed the only people who use the word “jazzy” without irony are either dullards or sardonic jazz-haters.  So I cringed when I learned of Jazzy Jamdemic just a few hours before the first concert in the series transpired at the Gem Theater on Sunday, May 24.  (Why bother informing a Kansas City music journalist and dedicated jazz blogger about the initiative?)

At a reported cost of $75,000, Jazzy Jamdemic consists of free one-hour streams of live concerts on Facebook at 5 p.m. C.S.T. six nights a week through July 3.  The verbiage at American Jazz Walk of Fame’s site notwithstanding, the events stream only at Facebook.

The unfortunate name of Jazzy Jamdemic belies the high quality of the first six episodes. The sound and lighting of the performances are invariably outstanding.  In spite of the off-putting absence of live audiences and the unsettling but welcome use of face masks by musicians, the concerts are excellent showcases for Kansas City artists.  My notes on the first week’s episodes follow.

Bobby Watson- Sunday, May 24
Congressman Emanuel Cleaver, the apparent driving force behind Jazzy Jamdemic, introduced the first concert by suggesting the series will act as a “painkiller.”  The setlist rendered by saxophonist Bobby Watson, pianist Roger Wilder, bassist James Ward and drummer Mike Warren- “Confirmation,” “E.T.A.,” “A Wheel Within a Wheel,” “Soul Eyes,” “Up to the Minute Blues” and “In Case You Missed It”- was indeed a familiar balm for admirers of Kansas City’s most notable jazz practitioner.  Peak viewership: 114.

Molly Hammer- Monday, May 25
A woman suggested “who needs NYC jazz when we have Molly and the ‘guys’!” during Molly Hammer’s triumphant return to the stage.  If by “NYC jazz” the commenter meant “adventurous,” she was right.  Pianist Joe Cartright, bassist Steve Rigazzi and drummer Brian Steever supported the vocalist with appropriately conventional swing.  A hushed cabaret-style rendition of “Listen Here” was easily the best selection.  Peak viewership: 226.

James Ward Band- Tuesday, May 26
The extreme dynamics created by fiery saxophonist Ernest Melton and the harmonious smooth jazz and sublime fusion played by bassist James Ward, keyboardist Angela Ward and drummer Jaylen Ward caused the week’s only sound problems.  Melton’s compulsion to test the textural limits of standards by Chick Corea, Herbie Hancock and Wayne Shorter as his bandmates played it straight was thrilling.  Peak viewership: 58.

Millage Gilbert- Wednesday, May 27
The Kansas City bluesman led a quartet in desultory renditions of blues and soul standards associated with the likes of Bobby “Blue” Bland, Tyrone Davis and Albert King.  Peak viewership: 48.

Pablo Sanhueza and the Kansas City Latin Jazz Orchestra- Thursday, May 28
The nine-piece band played the vibrant form of salsa associated with Eddie Palmieri with infectious enthusiasm and spontaneity.  Peak viewership: 77.

Lisa Henry- Friday, May 29
Lisa Henry reflected the fraught tenor of the times with a set highlighted by a searing reading of “Strange Fruit” and a powerful recitation of Natasha Ria El-Scari’s poem “The Secret Life of Black Mothers.”  Flugelhornist Chalis O’Neal, pianist Everett Freeman, bassist DeAndre Manning and drummer Mike Warren backed the vocalist with exquisite sensitivity.  Peak viewership: 55.

Based on comments and "likes" during the Facebook broadcasts, the majority of the paltry viewership of each stream consisted of the same people every night.  The well-intentioned Cleaver has miscalculated the intrinsic support for jazz in Kansas City for decades.  From historical and artistic perspectives, however, Jazzy Jamdemic is an entirely vital and necessary endeavor.  It’s a shame about the name.

(Original image by Plastic Sax.)

Sunday, May 10, 2020

Album Review: Leslie Maclean Trio featuring Molly Hammer- Live at Black Dolphin

I didn’t add to the outpouring of grief in the Kansas City music community when the Tank Room closed in 2017.  I sensed something even better was coming to the performance space at 1813 Grand Boulevard.  Black Dolphin didn’t disappoint.

Black Dolphin’s excellent sound, superior service and the gold backdrop behind the stage immediately elevated the room to the top tier of music venues in Kansas City.  While inconsiderate patrons occasionally detract from the live music experience, notable artists including Steve Cardenas, Jerry Hahn and Lonnie McFadden invariably attract attentive listeners at the room next door to Green Lady Lounge.

The members of the audience at Black Dolphin on March 24, 2019, were almost certainly riveted by the Leslie Maclean Trio.  Pianist Maclean, bassist Tim Brewer and drummer Jerry Pollack play the cheerful form of bluesy jazz long favored by Kansas City audiences.  The auspicious vocalist Molly Hammer joins the trio for six of the eight selections on the jaunty Live at Black Dolphin.  

The notes accompanying the new release suggest “these tracks would have been considered mainstream in the 1960s.”  “Let’s Let It Happen,” the strongest of Maclean’s original compositions, evokes the era in which the likes of Eydie Gormé, Jeri Southern and Nancy Wilson were major attractions.  The throwback approach wouldn’t ordinarily appeal to me.  Yet two months into the quarantine, Live at Black Dolphin sounds like a dispatch from heaven.  I’d give most anything to attend a performance by Maclean’s band at the nightclub this evening.

(Original image by Plastic Sax.)

Wednesday, November 27, 2019

Confirmation: Weekly News & Notes

*The Kansas City Star noted that Logan Richardson plays on one track of Christian Scott aTunde Adjuah’s “Ancestral Recall,” a project nominated for a Grammy Award in the category of Best Contemporary Instrumental Album.

*KCUR lists Logan Richardson’s show at Capsule in its weekly arts newsletter.

*The Kansas City Star recommends Matt Villinger’s show at the Blue Room.

*Joe Dimino shares footage of a Kansas City Jazz Orchestra outreach event.

*JazzTimes lists 18 places “where you can find the historical documents of jazz.”  Kansas City institutions don’t make the cut.

*Tweet o’ the Week: Community Christian Church- Join host Tim Whitmer for Community Christian Church's 24th annual Jazz Carol Fest on Sunday, December 8 at 4 p.m. We have a great lineup featuring Kansas City's premier vocalists, including headliner Molly Hammer! Tickets are on sale now!

*From a press release:...Charlie Parker will be honored throughout 2020 with a worldwide celebration commemorating the 100th anniversary of his birth (August 29, 1920)... (The) centennial will include a host of major initiatives including exciting new music releases, a tribute tour, festivals and events, prestigious exhibitions, special partnerships, a unique graphic novel, exclusive collectible art, and a myriad of independent appreciations and concerts.

Parker’s longtime label Verve Records… will kick off the yearlong celebration this week with a limited edition vinyl pressing of the rare 12” LP, The Magnificent Charlie Parker, an exclusive release for Record Store Day’s Black Friday… Verve/UMe plan to celebrate Parker with several releases throughout 2020…

Bird’s incredible legacy and immortal music will soar throughout the year with a variety of festivals, concerts, events and an exciting tribute tour.  Sanctioned by the Estate of Charlie Parker, “Fly Higher: Charlie Parker @ 100” features acclaimed co-musical directors Rudresh Mahanthappa (alto saxophone) and Terri Lyne Carrington (drums) as they celebrate the jazz master, one of the most innovative and influential artists in modern musical history and examine his impact in pop, hip-hop, rap, rock and jazz.

(Original image by Plastic Sax.)

Wednesday, October 16, 2019

Confirmation: Weekly News & Notes

*Bobby Watson chatted with Brian Ellison on KCUR’s Up To Date.

*The Kansas City Jazz Orchestra received coverage from Joe Dimino, Kansas City Live!, Fox4KC and KMBC last week.

*Molly Hammer discussed her health travails with a television reporter.

*The Kansas City Star previewed concerts by Herb Alpert and Norman Brown.

*Tweet o’ the Week: Steph Irwin- Green lady lounge always lit

(Original image by Plastic Sax.)

Wednesday, October 9, 2019

Confirmation: Weekly News & Notes

*The relevant results of the The Pitch’s annual readers poll follow without comment.  Best Jazz Venue: Green Lady Lounge; Best Blues Venue: Green Lady Lounge; Best Nightclub: Green Lady Lounge; Best Jazz Artist: Lonnie McFadden; Best Jazz Band: A La Mode; Best Jazz Event: Jazzoo; Best Vocalist: Molly Hammer.

*The Kansas City Star recommends the Kansas City Jazz Orchestra’s  forthcoming concert with Benny Golson.

*In an introduction to an interview with Blair Bryant, the Crazeology podcast suggests that “many people who live here can’t remember the last time they’ve actually listened to the music. Some have never even gone to a performance, even though several clubs have live jazz every night of the week.”

*Tweet o’ the Week: American Jazz Museum- Looking for the perfect space to host your holiday party? Email rentals@kcjazz.org for more information. The season is filling up quickly!

*From an event’s ticket solicitation: Join us at Greenwood Social Hall for a unique international jazz celebration on Thursday October 10th at 7 pm, presented by Hannover Committee, Sister Cities Association of Kansas City.  The band will swing some classic Kansas City sounds from the songbook of Benny Goodman and Lionel Hampton. Special guest Lothar Krist will bring his friends from Hannover Germany and Ghent Belgium to play with Greg Carroll and the crew from Kansas City.  A second performance takes place at Soirée Steak & Oyster House on Saturday, October 12.

Sunday, August 4, 2019

Signed, Sealed, Delivered

I encountered my friend KC Jazz Lark shortly after making the suggested $10 donation for entry to the Musicians For Molly benefit concert at Mod Gallery on Sunday, July 14.  He informed me that he’d donated two of his most prized possessions to the fundraiser for Molly Hammer.  Although KC Jazz Lark is otherwise humble and gracious, he’d long boasted about his autographed posters from the sorely-missed Kansas City Jazz Festival.

I knew I was in big trouble.

As one of the organizers of the festival during the 1980s, KC Jazz Lark had every headliner sign corresponding concert posters.  Sure enough, autographs of an audacious clutch of jazz legends are inscribed in silver ink on the 1985 and 1986 posters that were displayed at the silent auction at Mod Gallery.  A partial list: Toshiko Akiyoshi, Harry “Sweets” Edison, Stan Getz, Al Grey, Percy Heath, Major Holley, Milt Jackson, Gus Johnson, Connie Kay, Andy Kirk, John Lewis, Herbie Mann, Jay McShann and Buddy Tate.

I bid slightly over the minimum for each poster, a sum that exceeds my airfare and lodging outlay for an upcoming trip to the Chicago Jazz Festival.  No one topped my opening salvo.  I’m now the proud owner of two unique pieces of jazz history.  My bank account took an unexpected hit, but the money went to a good cause.  And knowing that a miniscule moment in the lives of each jazz giant is in the room with me as I enjoy recordings like “Blue Clarinet Stomp” (1929), “Laura” (1953), “That’s All” (1955), “Fontessa” (1956), “Corcovado” (1964), “Memphis Underground” (1969) and “Trouble in Mind” (1981) enhances my appreciation of each classic.

(Original image by Plastic Sax.)

Wednesday, July 17, 2019

Confirmation: Weekly News & Notes

*According to event organizer Lori Chandler, the Musicians for Molly benefit at Mod Gallery on Sunday, July 14, raised more than $20,000.

*Matt Otto is profiled by an in-house publication of the University of Kansas.

*The offerings of the 2019 edition of the Charlie Parker Celebration organized by KC Jazz Alive include a concert featuring locally based musicians at Liberty Performing Arts Theatre on August 23. 

*Tweet o’ the Week: Jazzy 88 WFSK- Tune-in on Thusdays to hear WFSK'S Artist of the Week! This week's Artist of the Week is Bassists Julian Vaughn, his new release is entitled "Supreme"! Although the bass is often associated with funk, Vaughn likes to play with more of a finesse style as well as some funk.

*From a press release: Join the American Jazz Museum for an entire month of programming celebrating Charlie “Bird” Parker… Charlie Parker’s plastic Grafton Saxophone, played in the now famous 1953 Jazz at Massey Hall concert, is on display in the Museum’s permanent exhibit. This August, the American Jazz Museum presents four free unique public programs, exhibits, and performances honoring Parker’s legacy.  Charlie Parker: Ready, Set, Bird! - Friday, Aug. 2nd; Charlie Parker: Bird’s The Word - Friday, Aug. 16th; Charlie Parker: Expectations of Bird - Saturday, Aug. 24th; Charlie Parker: Bird’s Fixings - Thursday, August 29th. Details are here.

(Original image by Plastic Sax.)

Wednesday, July 10, 2019

Confirmation: Weekly News & Notes

*Yoko Takemura recounts the backstory of the release of Jay McShann’s new Live in Tokyo album for Jazz Tokyo.

*Selections by Karrin Allyson, Peter Schlamb and Bobby Watson and were highlighted in an episode of the weekly radio program Eight One Sixty titled “Best Albums of the Decade.”

*Julian Vaughn’s Supreme debuted at #6 on Billboard’s jazz albums chart.

*A quartet led by vocalist Kelly Gant performed on Star Sessions.  Gant is among the artists on the bill at a fundraiser for Molly Hammer at Mod Gallery on Sunday, July 14.

*Chris Burnett is featured on page 130 of the latest issue of KC Studio magazine.

*Brad Allen and Herschel McWilliams were interviewed by Joe Dimino.

*An essayist proposes that Robert Altman’s “films are a true reflection of the Kansas style Jazz that he grew up with in his hometown.”

*Tweet o’ the Week: Sabrina Moella- 10. But back to the show, the whole band was excellent. Kristopher Funn on bass, Lawrence Fields on piano, Corey Fonville on drums, Chief aTunde Adjuah himself on trompet, Logan Richardson on the sax & Weedie Braimah on djembe. Chile. That's a jazz band dream team right there.

(Original image by Plastic Sax.)

Wednesday, July 3, 2019

Confirmation: Weekly News & Notes

*The story behind the release of a new Jay McShann album is documented in an audio feature for KCUR.

*The Kansas City Jazz Orchestra announced its 2019-20 concert season.

*Joe Dimino conducted interviews with Kelley Gant and B.J. Jansen.

*Tweet o’ the Week: Clint Ashlock- Hey @UMKansasCity thanks for booting my car for no permit when I parked for 10 minutes - you just lost thousands of dollars in alumni donations! I’ll never donate to one of your causes again! @UMKCCons

*From a Take Five Productions press release: Musicians For Molly - a Fundraiser. Molly Hammer is a beloved member of our stellar Kansas City jazz community. A stunning vocalist who has continued performing throughout her battle with breast cancer, Molly's fierce determination has inspired us all. Our goal is to raise $10,000 by the end of the night… Featuring nine bands, a jam session and a silent auction... Some of KC's best have volunteered their time for the cause - Boogaloo 7, Sons of Brasil, Brad Gregory Sextet featuring Kelley Gant, Kansas City Jazz Orchestra, Alyssa Murray, Project H and the Deshtet featuring Kadesh Flow - and the event will be headlined at 8pm by Texas' own For Now featuring another outstanding female vocalist, Isabel Crespo. Suggested minimum donation of $10 at the door (more is always welcome). This event is all ages. 4 p..m.-midnight Sunday, July 14, at Mod Gallery.

*From a press release: A series of jazz performances titled The Spine Showcases  is kicking off the second half of its 2019 series with a Kickstarter fundraising campaign. Organized by musicians, the series spotlights Kansas City’s emerging jazz composers.  The Spine Showcases launched January 24th, 2019… Performances are scheduled once a month on Thursday nights throughout 2019, beginning at 8:00 pm and concluding by 10:30 pm. The Spine Showcases are not ticketed; cash donations are accepted at the door… Producer and creator Kelley Gant states that “Kansas City is undoubtedly a jazz town. Our current jazz venues are a great place for musicians and audiences, but new and developing music is often too daring and loud or intricate and delicate to work in those rooms. Our series, The Spine Showcases,  is different. The emphasis is on the performance, and our audience comes to engage. We’re trying to build a missing rung on the ladder of opportunity in Kansas City. Where do musicians go to perform when their material is too adventurous to play in a corner of a restaurant, but it’s not polished enough to book at the GEM? Series like The Spine Showcases can fill that gap.”

(Original image of a Jay McShann artifact in an exhibit at the Blue Room by Plastic Sax.)

Wednesday, December 12, 2018

Confirmation: Weekly News & Notes














*Logan Richardson’s Blues People is selected as the third best jazz album of 2018 by The New York Times’ Giovanni Russonello.

*Violinist Regina Carter is nominated for a Grammy Award for a solo on Karrin Allyson’s new album.  The Count Basie Orchestra’s All About That Basie is nominated for the Best Large Jazz Ensemble Album.  The complete list of nominations is here.

*Molly Hammer appeared on a television morning show.

*David Basse hails the Jazz Studies program at UMKC for the institution’s student newspaper.

*A press release touts Anita Dixon’s efforts as a cultural heritage strategist.

*The Marcus Lewis Big Band, the Project H and Chris Hazelton’s Boogaloo 7 are among the best music of 2018 selections made by the staff of radio station 90.9 The Bridge.

*Chris Burnett lists his favorite albums of 2018.

*Marc Myers takes note of World Gardens, the latest album by the Italian pianist Roberto Magris that features Dominique Sanders, Brian Steever and Pablo Sanhueza.

*Tweet o’ the Week: Lee Rice Epstein- Yesterday, I was going to make an ironic joke about how outré a Count Basie album would be in 2018, and today I saw the Grammy noms, so that's a wrap, folks.

(Original image by Plastic Sax.)

Wednesday, October 3, 2018

Confirmation: Weekly News & Notes













*Lonnie McFadden’s Live at Green Lady Lounge was enthusiastically reviewed by Jazz Weekly.

*Allison Miller's Boom Tic Boom will perform at Musical Theater Heritage on Tuesday, October 16.

*Kait Dunton, the former keyboardist for Snarky Puppy, will lead a trio at Black Dolphin on Thursday, Nov. 15.

*Joe Dimino shares glimpses of Stephen Martin’s recent performance at RecordBar.  He also chatted with Molly Hammer.

*The 56-page program for the 2018-19 season of the Folly Theater Jazz Series lists the lineups for the forthcoming concerts.  I’m republishing them as a public service.  Larry Carlton Quintet, October 12: Larry Carlton, guitar; Gary Novak, drums; Travis Carlton, bass; Bob Reynolds, saxophone; Mark Stevens, keyboard; The Yellowjackets, January 18: Russell Ferrante, piano; Will Kennedy, drums; Dane Alderson, bass; Bob Mintzer, tenor saxophone; Kandace Springs, February 15: Kandace Springs, keyboard/vocals; Chris Gaskell, bass; Connor Parks, drums; Kurt Elling Quintet, March 9: Kurt Elling, vocals; Stu Mindeman, piano; Clark Sommers, bass; Adonis Rose, drums; Joshua Redman Quartet, April 11: Joshua Redman, saxophone; Aaron Goldberg, piano; Reuben Rogers, bass; Gregory Hutchinson, drums; Arturo Sandoval, April 27: Arturo Sandoval, trumpet; John Belzaguy, bass; Tiki Pasillas, percussion; Michael Tucker, saxophone.

*A blogger documented an area performance by Lonnie Holley and Nelson Patton.

*Tweet o’ the Week: Gravy Jones- Jazz in the restroom at the Kansas City zoo is just perfect.

*Kansas City Jazz Calendar has been updated with October’s gigs.

(Original image by Plastic Sax.)

Sunday, October 8, 2017

Album Review: Molly Hammer- Out of This World














Readers of The Pitch recently named Molly Hammer the “Best Jazz Artist” in Kansas City.  (Mark Lowrey, Alex Abramovitz, Bobby Watson and Logan Richardson placed two through five.)  It’s not a knock on Hammer to suggest that the results are ludicrous, partly because Kansas City is home to the accomplished vocalists Deborah Brown and Marilyn Maye.

Hammer’s debut album Out of This World confirms that she’s at her best working as a torch singer rather than in a jazz setting.  Her thoughtful approach on the cabaret songs “Never Will I Marry,” “Detour Head” and “Listen Here” rivals the work of elite vocalists like Brown and Maye.  Most of the other selections don’t emphasize Hammer’s incisive voice and lyrical sensitivity that are her core strengths.

The fine playing of saxophonist Brad Gregory, pianist Joe Cartwright, bassist Steve Rigazzi and drummer Todd Strait can't redeem the shopworn “Doodlin’” or “At Last.”  Novelties like “TV is the Thing This Year” and “Pig Foot Pete” are cutesy rather than quaint.  Hammer possesses the talent to fashion an exemplary album.  Out of This World isn’t it.

(Original image by Plastic Sax.)

Wednesday, October 4, 2017

Confirmation: Weekly News & Notes













*Dennis Winslett and Sonie Joi Thompson-Ruffin aired their grievances about recent events at the American Jazz Museum in a Black Art in America podcast.

*A television station reported on the partnership between the Folly Jazz Series and the Kansas City Art Institute.

*The Kansas City jazz enthusiast Tom Wells is the subject of a lengthy interview at All About Jazz.

*Molly Hammer was interviewed for a second time by Joe Dimino.

*The Little Big Band was featured in The Martin City Telegraph.

*The Topeka Capital-Journal previewed the Downtown Jazz & Food Truck Festival.

*From Steve Kraske’s wish list: I’d figure out a way to make people like jazz. Many of you wonder why I like it. I can’t figure out why you don’t.

*Smoke Sessions Records created a new promotional video for Bobby Watson’s Made in America album.

*Tweet o’ the Week: ¡ɜɿoɾɪɹℲ- Pat Metheny on Super Audio Compact Disc direct from a Denon DCD-1500SE through a pair of MDR-7506s at Tower Records. What is life???

*From Marcus Lewis: The Marcus Lewis Big Band is joining forces with Kansas City emcees Kemet The Phantom and Kadesh Flow to combine big band with hip-hop in a show titled Brass & Boujee. Arranger and Trombonist Marcus Lewis will present big band arrangements of Kemet and Kadesh's original material, as well as full jazz band versions of songs such as Kendrick Lamar's "Alright" and Bruno Mars' "24K Magic". Friday, October 6, at Ruins Pub.

(Original image by Plastic Sax.)

Wednesday, September 27, 2017

Confirmation: Weekly News & Notes














*Bernice Todd, the widow of Oliver Todd, and author Steve Penn were interviewed by Joel Nichols.

*Molly Hammer was featured on KCUR’s Band of the Week segment.

*A crowdfunding campaign for Everette DeVan is titled “Help Musician with End Stage Renal Failure.”

*The Lawrence based vocalist Vanessa Thomas was interviewed on KCUR’s Central Standard program.

*Tweet o’ the Week: KC Jazz Orchestra- We've got a great concert celebrating the ebullient jump Blues tradition on the 6th!

*Comment o’ the Week: Anonymous- Nothing wrong with people having a good time at a show - I'm all for it. I'm also not concerned about "jazz" having mass appeal - that hasn't been the case since the big band era. The more subtle and sophisticated that improvised music becomes, the smaller the audience. It can take years of listening to prepare your mind/ears to be receptive to certain sounds. As a jazz nerd in my mid 50's, I would enjoy a Vijay Iyer concert way more than a Thundercat Bruner show. When I was in my early 20's, probably the opposite would be true.

*From a press release: Saxophonist/Composer Matt Otto is without peer as a leading academic in the field of jazz… It was not, then, an unusual decision by Beau Bledsoe, guitarist and founder of the Kansas City-based arts organization Ensemble Ibérica, to approach Otto, asking him to compose for and record an album utilizing the diverse influences and instruments found in this ensemble. A collaboration three years in the making, this new recording, Iberica will be performed in its entirety during this concert with additional songs arranged by pianist Brad Cox… Matt Otto - saxophones; Brad Cox - piano/sounds; Karl McComas-Reichl - bass, cello; Beau Bledsoe - guitars; Michael McClintock - guitars; Jordan Shipley - guitars. Friday, October 13th, 7:30pm MTH Theater $25.

*From a press release: Dan Sturdevant is a singer-pianist who is described… as “velvet-voiced, charming and a splendid pianist-accompanist with a fine combination of performance skills”...  His wide repertoire includes a mix of standards, contemporary and originals. With Tim Whitmer and the Consort Band. Unity Temple on the Plaza, 7 p.m., Wednesday, Oct. 4, $7.

(Original image by Plastic Sax.)

Wednesday, September 20, 2017

Confirmation: Weekly News & Notes















*The Lied Center and the Jazz at Lincoln Center Orchestra are collaborating on a project based on the University of Kansas’ basketball program.

*The Sextet’s Blog Castle will be released on October 7.

*Molly Hammer’s new album Out of This World was released on September 15.

*James Martin suggests that the American Jazz Museum “presents itself as an important organizer and presenter” in the “The Legacy Plays On” exhibition.

*Tweet o’ the Week: Blue Blazes- Overheard in a Kansas City jazz venue tonight -"I know you're a little suicidal right now, but, I've got some gourmet cheese popcorn.

(Original image by Plastic Sax.)

Wednesday, September 13, 2017

Confirmation: Weekly News & Notes















*Molly Hammer discussed her life and new album with Monique Gabrielle Salazar.

*The Project H was named KCUR’s Band of the Week.

*Tweet o’ the Week: SME Lancer Bands- The SME Blue Knights Jazz Ensemble kicks off the @PrairieVillage Jazz Festival today! 3:30pm, Harmon Park

*From a press release: Bassist/vocalist Katie Thiroux follows her debut CD with the masterful Off Beat (Aug. 18 Capri Records), a recording that showcases her crackerjack instrumental work, expressive and swinging vocals, and impressive artistic command. She’ll present a CD release concert on Wednesday, October 4 at 7:30 p.m. at Californos… Tickets $20. Joining Thiroux will be pianist Steven Feifke and drummer Matt Witek… Thiroux was artist-in-residence from June through early September 2017 at Quincy Jones's new club Q's Bar and Lounge at the Palazzo Versace in Dubai.

*From a press release: Jazz luminaries Jack DeJohnette, John Scofield, John Medeski and Larry Grenadier will kick off the 2017-18 Winterlude series at Johnson County Community College at 7 p.m. Sunday, Oct. 15, in the Carlsen Center’s Yardley Hall. Touring under the name “Hudson,” reflecting the New York Hudson River Valley home for the musicians, DeJohnette (drums), Scofield (guitar), Medeski (keyboards) and Grenadier (bass) are individually winners of numerous awards, top-notch improvisers and leaders of their own groups.

(Original image by Plastic Sax.)

Wednesday, November 9, 2016

Confirmation: Weekly News & Notes














*Eddie Moore will lead a new weekly jam session at Californos.  The first session is slated for Wednesday, November 9.

*Joe Klopus highlights Helen Sung’s return to Kansas City in his weekly column.

*Tim Finn reports that Molly Hammer was a beneficiary of a medical-related grant from the Midwest Music Foundation.

*The Shawnee Mission Post reports that this year’s Prairie Village Jazz Festival “generated $10,000 in revenue."

*A blogger praises a Marilyn Maye performance at Quality Hill Playhouse.

*KCUR documented the creation of a socially-conscious mural at the American Jazz Museum.

*Tweet o’ the Week: Dominique Sanders- And people wonder why black people still talk about racism

(Original image by Plastic Sax.)

Wednesday, October 21, 2015

Confirmation: Weekly News & Notes















*Feast reports that the jazz venue Broadway Kansas City may soon become a Scandinavian restaurant.

*Chris Hazelton’s Boogaloo 7 and Molly Hammer are among the critic’s picks in The Pitch’s Best of Kansas City awards.  The Green Lady Lounge, Mark Lowrey and the 18th & Vine Jazz and Blues Festival are among the reader’s picks.

*Mike Metheny created a video preview for his forthcoming album Twelve For the Road.

*The Count Basie Orchestra will release its first Christmas album on November 6.  Here’s a video trailer for A Very Swingin’ Basie Christmas.

*Christ Community is hosting the 2nd Annual Brookside Jazz Festival on November 7. 

*The Pitch recommends Ron Carlson’s series of gigs at the Art Factory.

*A critic for KCUR reviewed Hmph’s Headrush.

*Joe Dimino interviewed Leo Wadada Smith and Charles Tolliver.

*Tweet o’ the Week: Beth Hanson- Classy jazz joint with all the ambiance. #kansascity #vacation @ Green Lady Lounge (photo)

(Original image by Plastic Sax.)

Sunday, July 12, 2015

Born Again on Broadway

















The live music venue at 3601 Broadway is the source of the worst news and the best news on Kansas City’s jazz scene in the first half of 2015.

The Broadway Jazz Club was temporarily shuttered about 17 months after it opened. 

The awful news was offset by the enormously encouraging report that John Scott, the proprietor of the Green Lady Lounge jazz club, would operate an overhauled version of the room.

My visit to the revamped location at 3601 Broadway last Thursday revealed welcome improvements. 

Now named Broadway Kansas City, the venue offered expert service.  The dim lighting that sets the mood at the Green Lady Lounge is now matched by the darkness at Broadway Kansas City.  I had to use the flashlight on my phone to ascertain the denominations of the bills in my wallet. 

About 20 people took in a performance by vocalist Molly Hammer and Ken Lovern.  The duo’s repertoire was heavy on Dinah Washington material and also included renditions of “Never Will I Marry” and “(You Make Me Feel Like) A Natural Woman.”

Lovern is best known as the funky jazz organist for OJT.  He played piano in a cabaret setting on Thursday.  Hammer’s use of an electronic tablet- presumably as a prompt for lyrics- was slightly off-putting.  

One thing that hasn’t changed at Broadway Kansas City is the impressive sound system.  The sound is just as rich and crisp in the back of the room as it is a few feet from the stage.

I’m looking forward to taking advantage of the burgers and beer special* at Broadway Kansas City during my next visit.

*Scott has verified that the $14.95 deal is available “Tuesday through Sunday, 5 p.m. to 11 pm.”

(Original image by Plastic Sax.)

Wednesday, May 7, 2014

Confirmation: Weekly News & Notes















*Steve Kraske featured Hermon Mehari of Diverse on KCUR's Up To Date.  Natalie Gallagher of The Pitch interviewed Mehari and Ryan Lee.

*The Pitch highlights an upcoming Molly Hammer performance.

*Joe Dimino of Neon Jazz interviewed E.E. Pointer of the River Cow Orchestra.

*Here's a new episode of 12th Street Jump's "Blues In the News."

*Tweet o' the Week: Tom Snow- Voyage with Bobby Watson #kcjazz (photo)

*Comment o' the Week: Anonymous- Well, that whole thing where the blog comments got lost in an unchecked mailbox for several months was nice while it lasted…

*From a press release: On Friday May 16th from 9pm-1am, renowned Jazz saxophonist and founder of popular soul band Jack Mack and the Heart Attack, Bill Bergman will be playing a show at the Broadway Jazz Club to commemorate his 50th anniversary of playing in Kansas City.  Bergman will be accompanied by hometown friends from Kansas City Latin jazz band Sons of Brasil in order to create a unique fusion of contemporary LA jazz and Kansas City grooves…

(Original image of Eddie Moore and Adam Schlozman at the Green Lady Lounge by Plastic Sax.)