Resolution

Two of the 137 experts participating in the 2017 NPR Music Jazz Critics Poll included Bobby Watson’s Made In America in their year-end best-of lists.  No other project by a Kansas City artist who released an album in 2017- a group that includes local luminaries Hermon Mehari, Matt Otto, Molly Hammer, Steve Lambert, Deborah Brown and Julian Vaughn- was among the 470 releases that received at least one vote.

The previous two years weren’t much better.  Shift, Logan Richardson’s debut on Blue Note Records, placed #46 in 2016.  Pat Metheny’s collaboration with Cuong Vu came in at #57.  In 2015, releases by Eddie Moore and the Outer Circle (#296) and Pat Metheny (#453) were acknowledged.

There are three possible reasons for the snubs in the most comprehensive and least arbitrary annual jazz survey: no Kansas City based jazz aficionados contributed to the poll, Kansas City artists don’t effectively promote their releases and/or the jazz scene in Kansas City isn’t nearly as strong as Plastic Sax asserts.

The first point is easily verifiable.  It’s unfortunate that local observers like Joe Klopus, Larry Kopitnik or (heaven forbid) yours truly don’t have a seat at the table of tastemakers.  The second assertion is less demonstrable.  Watson’s album was released by the New York based Smoke Records label, a reputable association that undoubtedly increased the visibility of Made In America enough to place it at #342.  It’s possible that few critics and tastemakers received copies of the other albums by locally based artists.

The final possibility is the most problematic.  Are Kansas City’s jazz artists really not worthy?  It’s not an issue of style.  While critics tend to favor groundbreaking sounds, plenty of mainstream recordings make the cut.  And the strong showings of musicians from Chicago, Denver, Houston and St. Louis indicate that the rebuff of Kansas City’s jazz scene can’t be entirely chalked up to coastal bias.

Civic boosters regularly repeat the talking point about Kansas City being “one of the four pillars of jazz.”  From the perspective of the music’s authorities, however, the city lags far behind New York, Chicago and New Orleans in 2017.  Here’s to correcting that lowly status in the new year.

(Original image by Plastic Sax.)

Now's the Time: Matt Kane

Matt Kane, a drummer with longstanding connections to Kansas City, will lead a band of locally based luminaries at Black Dolphin on Friday, December 29.  The Kansas City Jazz Calendar offers details about 20 additional shows on the same evening.

Confirmation: Weekly News & Notes

*A frank discussion of the problematic Kansas City Jazz & Heritage Festival and praise for Marcus Lewis’ Bad and Boujee project were included in a ”The Year in Arts” episode of KCUR’s Central Standard program.

*Deborah Brown spoke to Joe Dimino about the passing of Kevin Mahogany.

*Tweet o’ the Week: Californos- Jim Lower Jazz Orchestra featuring David Basse on vocals - tonight at @Californos Saloon for Jazz Nebula every Tuesday 7pm-10pm!

*From a press release: Lori Tucker is a versatile vocalist whose expressive voice crosses the spectrum of Soul, R&B, Jazz, Blues & Gospel and is a member of the legendary vocal group The Wild Women of Kansas City.  Tom DeMasters is one of KC’s premiere guitar players… 7 p.m. Wednesday, January 3, 2018, performing with Tim Whitmer & The Consort Band, Unity Temple on the Plaza, $7.

(Original image by Plastic Sax.)

Kevin Mahogany, 1958-2017

The nights I spent dancing to an R&B band led by Kevin Mahogany at Kansas City clubs like Jimmy’s Jigger in the 1980s were among the most carefree evenings of my life.  Mahogany’s sultry renditions of Al Green and Marvin Gaye hits were just part of the fun.  The magnanimous singer enjoyed befriending his admirers.  He and I bonded over our mutual admiration of the country star Randy Travis.

The sound of Mahogany’s 1993 debut album Double Rainbow came as a surprise.  R&B was supplanted by a straight-ahead jazz setting that highlighted his burnished voice.  He soon became the leading torchbearer of the male vocal tradition associated with Joe Williams, Jimmy Witherspoon and Johnny Hartman, a space currently occupied by Gregory Porter.  Like many people in Kansas City, I was proud that the hometown heroes Mahogany and Karrin Allyson had attained jazz stardom.

The independent label Enja issued Mahogany’s first four albums.  Warner Brothers released his fifth through eighth recordings.  Pride and Joy, a 2002 return to his R&B roots for the Telarc label, is Mahogany’s final notable statement.  Mahogany’s voice weakened considerably.  Label support and fan enthusiasm dissipated.  He displayed a fraction of his former capacities during a distressing appearance at the Kansas City Jazz & Heritage Festival in May.  Mahogany died last week.  He was 59.

(Original image by Plastic Sax.)

Now's the Time: Steve Cardenas

Steve Cardenas will perform with Forest Stewart and Brian Steever at the Green Lady Lounge on Wednesday, December 27.  After leaving Kansas City in the 1990s, the adventurous guitarist played in bands led by jazz luminaries including Paul Motian, Charlie Haden and Steve Swallow.  Cardenas has also released four albums as a leader.

Confirmation: Weekly News & Notes

*The Kansas City Star and KCUR reported on the death of Kevin Mahogany.

*The 2018 edition of the Jazz in the Woods festival has been canceled.  Event organizers blame the setback on “funding restrictions.”

*Stan Kessler was interviewed by Joe Dimino.

*The Kansas City Star provides footage of a “Merry Bassmass” event at the Black Dolphin.

*Michael Pagán, the Music Department Chair at Ottawa University, discusses the institution’s “All-Steinway” designation.

*The Kansas City Jazz Orchestra’s annual holiday concert was previewed in KCUR’s Band of the Week segment.

*Mike Corrigan created a crowd-funding campaign to acquire John Jackson’s saxophone.

*Tweet o’ the Week: Marcus Lewis- Who said Jazz is Dead? #mlbb #brassandboujee

*Comment o’ the Week: Anonymous- Good choice. John Scott has done so much to invigorate the scene... and despite what some cynics will say, it's not all B3!

*From a press release: World-traveled vocalist Deborah Brown will be the Jan. 28 featured artist as part of the Carlsen Center Presents series at Johnson County Community College… Brown has recorded 16 CD’s under her own name...  Performing with her in Polsky Theatre are… Rod Fleeman, guitar; Joe Cartwright, piano; Ben Leifer, bass; and Michael Warren, drums.

(Original image of the Hermon Mehari Quintet performing at Polsky Theatre on Sunday by Plastic Sax.)

John Scott: The Plastic Sax Person of the Year

John Scott cracked the elusive code.  Operating a profitable jazz club in Kansas City was beginning to seem like an unattainable pipe dream.  Unlike several intrepid entrepreneurs who opened ill-fated jazz-oriented venues in recent years, the man who oversees Green Lady Lounge isn’t merely surviving.  Scott daringly expanded his unlikely jazz empire in 2017.

In addition to presenting jazz performances on two stages at 1809 Grand Boulevard, Scott launched a trio of ambitious new endeavors in 2017.  Most significantly, he opened Black Dolphin, a venue at 1813 Grand Boulevard.  Scott was also instrumental in motivating Plastic Sax to revive the comprehensive Kansas City Jazz Calendar.  Finally, Scott recently unveiled Green Lady Radio, a streaming service dedicated to further promoting locally based jazz artists.

Scott’s initial victory, however, was identifying the formula for sustaining a popular jazz club in Kansas City: no cover charge, superior service, luxurious cocktails, dim lighting and live music that rewards attentive listening but that can also be treated as background music.

Scott ruffled a few feathers along the way.  Some musicians bristle at his mandates.  Not every artist is willing to wear a coat and tie, take short set breaks or adhere to Scott’s musical parameters.  His infamously salty dismissal of adventurous improvisatory music caused a stir in the jazz community 15 months ago.  (My preference for more abrasive jazz performed in listening rooms has never been a secret.)

This commendation is unlikely to meet with Scott’s approval.  He’s certain to suggest that a musician like Chris Hazelton, Stephen Martin or Molly Hammer is more deserving of the recognition.  Perhaps, but those artists honed their crafts on stages operated by Scott.  His audacious determination and visionary gumption have elevated the entirety of Kansas City’s jazz community.

The previous recipients of Plastic Sax's Person of the Year award are Eddie Moore (2016), Larry Kopitnik (2015), Deborah Brown (2014), Stan Kessler (2013), Doug and Lori Chandler (2012), Jeff Harshbarger (2011), Mark Lowrey (2010) and Hermon Mehari (2009).  Bobby Watson was named the Plastic Sax Person of the Decade in 2009.

(Original image of Green Lady Lounge and Black Dolphin by Plastic Sax.)