Showing posts with label Patrick Alonzo Conway. Show all posts
Showing posts with label Patrick Alonzo Conway. Show all posts

Sunday, April 16, 2017

Concert Review: Agora at the Green Lady Lounge















The Green Lady Lounge might consider serving specialty cocktails replete with umbrellas during performances by Agora.  The new group led by guitarist Matt Hopper plays Brazilian-themed retro-lounge tunes.  While decidedly in the louche tradition of space-age bachelor pad music, the output of Hopper, organist Ken Lovern, percussionist Patrick Conway and drummer Todd Strait resembled the sound of Rosinha de Valença more than Walter Wanderley at the venue last week.  Agora returns to the Green Lady Lounge on Tuesday, April 18.

(Original image by Plastic Sax.)

Wednesday, December 21, 2016

Confirmation: Weekly News & Notes











*David Basse and Joe Cartwright were interviewed by Steve Kraske on KCUR’s Up to Date talk show.

*Eddie Moore is profiled in a two-minute video feature created by KCPT.

*Mills Record Company recommends recordings by Chris Hazelton’s Boogaloo 7, Eddie Moore and the Outer Circle and the Jorge Arana Trio as attractive gift ideas for jazz fans.

*Patrick Alonzo Conway was interviewed by Joe Dimino.

*Chris Burnett listed his favorite albums of 2016.

*Logan Richardson’s Shift placed in Nextbop's top albums of 2016 list.

*Tweet o’ the Week: Marilyn Kallet- The latest issue of New Letters has a great poem by Yusef Komunyakaa, four by Alice Friman, as well as jazz photos from Kansas City. Bravo!

*Comment o’ the Week: Kelly Buckley- Love love love Eddie and his music! Thanks for honoring him in this way!

(Original image by Plastic Sax.)

Sunday, March 20, 2016

Album Review: Paul Shinn Trio- Into That Good Night
















The Paul Shinn Trio is the most thoroughly documented ensemble associated with Kansas City’s jazz scene.  Into That Good Night  is the group’s third studio album in less than three years.  The trio of pianist Paul Shinn, bassist Dominique Sanders and drummer Ryan Lee is entirely worthy of the distinction.

The mainstream jazz created by the three young men has evolved from exceptional precociousness to borderline greatness.  Exposed to Into That Good Night in a blindfold test, most listeners would guess that the trio has a cumulative age of more than 150 rather than less than 90.

An emphasis on melody- a quality often dismissed by youthful jazz musicians- distinguishes the project from the relentless deluge of piano trio albums.  Shinn’s solo reading of Robert Schumann’s “Träumerei” sets the tone.  The trio reclaims the quaint Victor Schertzinger and Johnny Mercer standard “Not Mine.”  The dignified “Too Late” is a contrafact of Charlie Parker’s “Confirmation.”  Shinn originals including the title selection echo the George Gershwin songbook. 

A couple tracks offer a break from the elegant swing selections.  Percussionist Patrick Alonzo Conway adds Latin textures to the lively “Re-Beginning.”  The brief “Until It’s Right” contains diverting sound manipulations. 

Shinn is a polished pianist and the tandem of Sanders and Lee strikes the proper balance between exciting aggressiveness and tasteful reserve.  A fourth album by the trio in the coming months would be entirely welcome.

(Original image by Plastic Sax.)