Ryan Lee: Give the Drummer Some

I don't care for drum solos. More often than not, the exercises are merely tedious displays of showboating. My bias once applied to drummer Ryan Lee. I used to consider his approach overly obtrusive and too flashy. One of us must have changed, because I like most everything I've heard Lee play in recent months as a member of Diverse and as he has backed the likes of Rob Scheps and Bobby Watson. I wasn't surprised to learn that Lee had won the district finals of Guitar Center's 2011 Drum-Off on October 25. Bash away, Mr. Lee.

Now's the Time: Herbie Hancock

Herbie Hancock's solo piano recital Sunday at the Lied Center will probably sound nothing like the music he made with his proto-disco band in 1974. Yet because excuses to post clips of '70s funk don't come around too often at Plastic Sax, I'll take advantage of the rare opportunity to indulge in the unfairly maligned era of the legend's career. Here's Joe Klopus' preview of the concert.

Confirmation: Weekly News & Notes

*Lisa Henry's involvement in a youth program titled “Ella, Scat & Math” is lauded by a Bonner Springs publication.

*The Leavenworth Times offers a nice preview of the Live at the Hollywood concert series.

*KCJazzLark documents the successful Rhythm & Ribs Jazz and Blues festival.

*The Star and KC Metropolis reviewed Friday's concert at the Gem Theater by Joe Lovano and Us 5.

*The Kansas City Symphony's tribute to Frank Sinatra featured a jazz orchestra. Here's a review.

*The headline tells the story: Plastic saxophone definitely not a toy.

*A blogger comments on the An Evening with Virgil T. concert at Helzberg Hall

*Bobby Watson is characterized as "an old friend of Cork" in a preview of an Irish jazz festival.

*Kristin Shafel previews Herbie Hancock's concert at Lied Center.

*Consumer tip: 1911 Main is featured at Groupon today.

*Drummer Freddie Gruber has died.

*Tweet o' the Week: JazzWinterlude: Did you know: JCCC has a new Jazz Combo that will be playing at this year's #jazzwinterlude. #markyourcalendars

*From Take Five Coffee: Thursday, 10/27 - The Leifer Bros- Join actual brothers Matt (drums) and Ben Leifer (bass) and their ensemble for their inaugural performance at Take Five. Matt and Ben are joined by Clint Ashlock (trumpet), Andrew Ouellette (keys) and Nick Rowland (sax); a literal tour de force of KC's young jazz scene.

*From the American Jazz Museum: PEER Ambassador Celebration Tuesday, November 15th from 6:00-7:00 PM… This is an event to energize and inform all of our new Ambassadors spreading the word about the Museum... Do you know someone who enjoys the AJM, who would like to know more or is interested in becoming involved? Invite them to join us for a great evening at the Museum. Enjoy appetizers, meet other Ambassador and donors and learn how you can spread the word about the amazing work the Museum is doing. Please RSVP….

*(Extremely rare post-publishing edit)- From Peter Lawless/The Fishtank: For those of you familiar with Sir Threadius Mongus, Jeff Davis' jazz-tinged group, The Night's Bright Lights is another of his progressive musical groups which are providing the soundtrack to The Unwind, a large-scale work Davis has been creating for the last fifteen years. The NBL provides a new musical sound, with the use of mantra-like phrases, big beats & wall's of guitar, by way of an analog loop station, reminiscent of classic album-rock guitar indulgence, with an otherworldly-world music vibe. Featuring: Jeff Davis, Mike Stover, Matt Leifer. Tickets are $10.

(Original image of James Weidman, Otis Brown III, Esperanza Spalding, Francisco Mela and Joe Lovano by Plastic Sax.)

Review: Crosscurrents at Polsky Theatre

A musician I know suggests that the jazz audience is diminished because Americans have become undereducated and overstimulated. As he bemoans the dumbing down of our citizenry, I don't dare tell my friend that I like "Mr. Carter" as least as much as James Carter.

I may not entirely agree with the musician, but his assertion isn't without merit. In today's often unenlightened environment, no venture may be more quixotic than a collective dedicated to the music of Lennie Tristano. Defiantly counterintuitive, Crosscurrent is one of of Kansas City's most unlikely bands. A free October 19 concert at Polsky Theatre at Johnson Country Community College served as a reminder that Crosscurrent also one of the best groups in the region.

"I call it weird bop," bandleader Sam Wisman explained to an audience of about 150.

I call it cerebral music played to perfection.

Tracking Tristano's time signatures and deciphering a pair of Matt Otto's original compositions taxed my atrophied brain. Concentrating on a Crosscurrent performance is akin to winding one's way through a meditation maze. At the conclusion of Wednesday's labyrinth-like concert, I was almost too exhausted to check my cellphone to get the latest update on Kim Kardashian.

(Original image of T.J. Martley, Ben Leifer, Steve Lambert, Sam Wisman and Matt Otto by Plastic Sax.)

Now's the Time: Esperanza Spalding

Esperanza Spalding returns to Kansas City on Friday as a member of Joe Lovano's US 5. It's the bassist's first appearance in the area since she was featured in the Folly Theater's jazz series in 2009. While Spalding's performance in the embedded video is captivating, she'll be offering rhythmic support of Lovano at the Gem Theater. Joe Klopus previewed the show.

Confirmation: Weekly News & Notes

*The Star reports that Skies and Benton's, two hotel restaurants that featured jazz musicians but didn't actively promote the music, are closing.

*Stan Kessler via Facebook: The Kansas City Youth Jazz Reno Combo that I instruct is appearing on GOOD MORNING AMERICA from The Kauffman Performing Arts Center, Thursday Morning at 7am.

*A very fine 45-minute documentary about Kansas City's place in jazz history was just posted to YouTube. Talking heads include Jay McShann, Lisa Henry, Herbie Hancock, T.S. Monk, James Moody, Wayne Shorter, Stanley Jordan and Bobby Watson. Most of the footage seems to be circa 2004.

*The latest blog post by Hunter Long is loaded with good news for fans of Black House Improvisors' Collective.

*Just how off-putting is the word "jazz"? This 30-second promotional video for Herbie Hancock's upcoming appearance at the Lied Center avoids using the word.

*Chris Burnett ponders the "what is jazz" question in a thoughtful blog post.

*David Hudnall wrote a lengthy feature about the Eddie Baker School of Music.

*New albums by Jacob Fred Jazz Odyssey, Laura Chalk, Sir Threadius Mongus and River Cow Orchestra are considered by KCJazzLark.

*Ben Ratliff reviews a new solo piano album by Harold O'Neal.

*The headline of a Kansas City Business Journal article tells a sad story: "Jazz District TIF nears final note after generating little cash or change".

*Chuck Berg reviews a Topeka Jazz Workshop performance led by Ted Howe.

*Watch Joe Athon's October 13 performance at Jardine's here.

*Candace Evans is featured in 435 South magazine.

*A niece shares childhood memories of her uncle Ahmad Alaadeen.

*Tony's Kansas City plugs a Dave Stephens gig.

*St. Louis Jazz Notes points to a site that provides access to an out-of-print 1965 album featuring Bob Brookmeyer and Clark Terry.

*A critic for Jazz Times reviewed a concert by Pat Metheny and Larry Grendadier concert.

*Drummer George Reed died in New York. He was 89.

*Tweet o' the Week: paynic: @KCTrumpeter I love trio too, except I'll just hire anywhere from 3-21 people and have most of 'em to lay out. What's your instrumentation?

(Original image by Plastic Sax.)

Improvised Indifference

I gladly paid the five dollar price of admission at a music venue this weekend. Misery ensued.

I don't expect to be presented with an award when I attend a jazz gig, but I certainly don't want to get the sense that I'm doing penance.

The bandleader ignored the audience of twelve. The interaction between the musicians was similarly minimal. The dreary atmosphere resembled a forced detention for students who'd misbehaved during high school band class.

Although the band's concept was solid, it wasn't enough to overcome the morose vibe. If you're not going to put on a show, at least act like you want to be there.

(Original image by Plastic Sax.)