Concert Review: The Matt Otto Quintet at the Westport Coffee House

After watching the first several selections of the NBA draft on Thursday, I turned off ESPN and headed to the Westport Coffee House. 

A band led by saxophonist and composer Matt Otto featured saxophonist Michael Shults, keyboardist T.J. Martley, bassist Ben Leifer and drummer Ryan Lee in the venue's weekly Jazz Underground series.

As the quintet performed exquisitely crafted and immaculately rendered jazz for an audience of about 20, it struck me that each man would rank highly on a hypothetical draft board of Kansas City jazz musicians.

Like Chris Bosh, Otto is a multifaceted talent.  Shults is a creative playmaker akin to Steve Nash.  The cerebral Martley is the Shane Battier of the local jazz scene.  Leifer and Lee are tremendous individual talents, but much like Marcus and Markieff Morris, they're most valuable as members of the same team.

I apologize to all five deserving lottery picks and to all 15 Plastic Sax readers for my blundering analogies.

(Original image by Plastic Sax.)

Now's the Time: Jackie Allen

My Favorite Color, the tenth album by the Nebraska-based vocalist Jackie Allen, includes material by composers ranging from George Gershwin to Jimi Hendrix.  Allen will perform at the Green Lady Lounge on Tuesday, July 1.

Confirmation: Weekly News & Notes

*KC Jazz Lark reports on last week's Jazz Blogger's Tour of Kansas City.

*Hermon Mehari is part of the Kansas City Area Development Council's delegation in New York  to sell  "national lifestyle, travel, food and entertainment media" on the allure of Kansas City.

*Candace Evans' gig at Zona Rosa is recommended by The Pitch.

*The Kansas City Star reviewed performances by the duo of Charlie Hunter and Scott Amendola and Jacob Fred Jazz Odyssey.

*The Pitch reports on the young couple who hope to restore the castle-like structure in the Jazz District.

*The Preservation Hall Jazz Band will perform at the VooDoo Lounge at Harrah's Casino on September 26.

*Joe Dimino of Neon Jazz interviewed Washington D.C. musician Lenny Marcus.

*Tweet o' the Week: Dennis P. Owens- A giant almost sat down in front of me. Jazz in the Woods

*Comment o' the Week: Chris Hazelton- The fact that they had anything even slightly resembling straight-ahead jazz is an improvement upon the last several years of this festival.

*From the American Jazz Museum: (Everette) DeVan recorded his latest studio album late last year, but his health slowed progress toward its release... He will celebrate the release of For the Love of You at The Blue Room on June 27th with a special guest lineup of performers who joined him on the album — drummer Danny Rojas, guitarist Matt Hopper, saxophonist Ian Corbett, and vibraphonist/AJM CEO Greg Carroll. The CD and other merchandise will be available for purchase at the show.

(Original image of Stanley Crouch and Chuck Haddix at the Bruce R. Watkins Cultural Heritage Center on June 19 by Plastic Sax.)

Concert Review: Jazz in the Woods

I want my money back.

In a noble but flawed effort to present as many musicians associated with Kansas City's jazz scene as possible while still attracting a large audience, organizers of the Jazz in the Woods festival apportioned tiny time slots to four opening acts for Saturday's headliner Mindi Abair, a smooth jazz and pop star from California.  The intention was commendable, but the result was extremely frustrating.

The published schedule- "6:20 - 7:20 PM Angela Hagenbach/Lauren Braton, 7:45 - 8:45 PM Bobby Watson/Eldar, 9:10 - 10:25 PM Mindi Abair"- led me to believe that the opening sets would feature collaborations.

I was wrong.

Bobby Watson played for 30 glorious minutes and Eldar Djangirov was on stage for about 25 impressive minutes.  Both men employed guitarist Rod Fleeman, but otherwise each man brought his own band.

Backed by Fleeman, pianist Joe Cartwright, bassist Tyrone Clark and drummer Mike Warren, Watson performed three selections- his original composition "Sweet Dreams," Duke Ellington's "In a Sentimental Mood" and Duke Pearson's "Jeannine."  Each piece was better than the last.  Watson ran out of time just as he and his band were getting properly warmed up.

Eldar Djangirov was supported by Fleeman, saxophonist Jim Mair, bassist Gerald Spaits and drummer Todd Strait.  The highlight of his unnaturally abridged set, however, was an unaccompanied version of "Take the 'A' Train."

With the exception of drummer Doug Auwarter, Angela Hagenbach and Lauren Braton used the same band as Djangirov.  Each charming vocalist sang for about 30 minutes.

The event may have been free, but the opportunity for a priceless collaboration was lost.

(Original images by Plastic Sax.)

Now's the Time: HoraceScope

Horace Silver died yesterday.  Two of the beloved musician's connections to Kansas City come immediately to mind.  The late trumpeter Carmell Jones, a native of Kansas City, Kansas, recorded with Silver on classic albums including Song For My Father.  In recent years, HoraceScope, a band led by Plastic Sax's 2013 Person of the Year Stan Kessler, has kept Silver's music alive in Kansas City.  HoraceScope performs a rendition of "The Outlaw" in the embedded clip.

Confirmation: Weekly News & Notes

*Details about the Mutual Musicians Foundation's “Jazz: No Language Required Bloggers Tour" are available here.  KC Jazz Lark opines on the event.

*The Kansas City Star notes the new legal status of The Ship.

*Doug Talley reports that The Chess Players: The Music of Wayne Shorter, his quartet's fifth album, will be released on June 21.   The band performs at Zona Rosa on Thursday, June 19, at Take Five Coffee + Bar on Saturday, June 21, and at the Blue Room on July 5.

*The Pitch recommends Brian Steever's gig at Westport Coffee House.

*Clint Ashlock posted another interesting entry to his blog.

*Earlier this week, Chris Burnett advised Plastic Sax that "(w)e are going into the studio this morning. We will begin recording my new CD."

*Todd Wilkinson uploaded a 53-minute video of a 1998 Boko Maru performance at Fedora's to YouTube.

*KCUR offers a timeline of the Black Archives of Mid-America.

*Joe Dimino interviewed Tampa-based vocalist for his Neon Jazz podcast.

*Tweet o' the Week: Ryan Heinlein- Wow! @PorchFestKC was wonderful. Highlight of the year for us. It was everything we love about our city. Thank you for having us!

*Comment o' the Week: Gary- it's a weekly hour but below it states the event is 7:30-9, the time must fly!

*From a press release: This summer nineteen University of Kansas students will share their extraordinary talents on the international stage when they embark on a whirlwind European tour.  In early July, KU Jazz Ensemble I will play eight shows in eleven days, with dates in France, Germany and Switzerland - including appearances by invitation at two of the world’s most prestigious jazz festivals - the Montreux Jazz Festival and the Jazz À Vienne Festival. The ensemble and its director, Dan Gailey, will be joined on all performances by two very special guests - celebrated Kansas City-based jazz vocalist Deborah Brown and Steve Leisring, world-renowned trumpeter and KU faculty.  Local audiences can preview selections from the repertoire for the European dates at a special kick-off concert at 7:30 p.m. on Thursday, July 3 at the Lied Center of Kansas, sponsored by the KU School of Music and the Lied Center of Kansas. The event is free and open to the public. No tickets are required…

(Original image by Plastic Sax.)

Concert Review: Pharoah Sanders at Blues Alley

Delighted to discover that Pharaoh Sanders was performing at Blues Alley during the weekend I was in Washington D.C., I bought a ticket to the final set of his engagement in the hope that the legendary saxophonist might be inspired to play longer.

Although his appearance lasted just 70 minutes, everything else exceeded my expectations.  Sanders and his band-  pianist William Henderson, bassist Nathaniel Reeves and drummer Joe Farnsworth- worked in the mystical, trance-inducing style associated with the output that immediately followed his stint as a member of John Coltrane's band.

With his colorful dashiki and distinguished white hair, Sanders resembled a great statesman.  He moved with the cautiousness of a septuagenarian and sat when he wasn't soloing, but Sanders played with the tremendous fire and intellectual acuity documented on albums like 1969's Jewels of Thought.

Blues Alley is a listening room with about 250 good seats.  The vigilant staff disallowed members of the near-capacity audience to create any distractions.  And with the hefty price tag- $40 per person plus a $12 minimum- fans were focused on the captivating music.

Sanders' outing may have been brief, but I'll thinking about it for a long time.

(Original image by Plastic Sax.)