Now's the Time: Wynton Marsalis and the Jazz at Lincoln Center Orchestra

The Jazz at Lincoln Center Orchestra, the band led by the world’s most famous living jazz musician, returns to the Midland theater on Thursday, December 5.  Vocalist Denzal Sinclaire, pianist Dan Nimmer and baritone saxophonist Paul Nedzela are featured on Carlos Henriquez’s arrangement of “We Three Kings” in the embedded video.

Confirmation: Weekly News & Notes

*The Kansas City Star noted that Logan Richardson plays on one track of Christian Scott aTunde Adjuah’s “Ancestral Recall,” a project nominated for a Grammy Award in the category of Best Contemporary Instrumental Album.

*KCUR lists Logan Richardson’s show at Capsule in its weekly arts newsletter.

*The Kansas City Star recommends Matt Villinger’s show at the Blue Room.

*Joe Dimino shares footage of a Kansas City Jazz Orchestra outreach event.

*JazzTimes lists 18 places “where you can find the historical documents of jazz.”  Kansas City institutions don’t make the cut.

*Tweet o’ the Week: Community Christian Church- Join host Tim Whitmer for Community Christian Church's 24th annual Jazz Carol Fest on Sunday, December 8 at 4 p.m. We have a great lineup featuring Kansas City's premier vocalists, including headliner Molly Hammer! Tickets are on sale now!

*From a press release:...Charlie Parker will be honored throughout 2020 with a worldwide celebration commemorating the 100th anniversary of his birth (August 29, 1920)... (The) centennial will include a host of major initiatives including exciting new music releases, a tribute tour, festivals and events, prestigious exhibitions, special partnerships, a unique graphic novel, exclusive collectible art, and a myriad of independent appreciations and concerts.

Parker’s longtime label Verve Records… will kick off the yearlong celebration this week with a limited edition vinyl pressing of the rare 12” LP, The Magnificent Charlie Parker, an exclusive release for Record Store Day’s Black Friday… Verve/UMe plan to celebrate Parker with several releases throughout 2020…

Bird’s incredible legacy and immortal music will soar throughout the year with a variety of festivals, concerts, events and an exciting tribute tour.  Sanctioned by the Estate of Charlie Parker, “Fly Higher: Charlie Parker @ 100” features acclaimed co-musical directors Rudresh Mahanthappa (alto saxophone) and Terri Lyne Carrington (drums) as they celebrate the jazz master, one of the most innovative and influential artists in modern musical history and examine his impact in pop, hip-hop, rap, rock and jazz.

(Original image by Plastic Sax.)

Concert Review: Bobby Watson Tribute Concert at White Recital Hall

Mitch Butler dulled the luster of the Bobby Watson Tribute Concert at White Recital Hall before the first note was played on Tuesday, November 19.  The Assistant Teaching Professor at UMKC and the director of one of the two student bands on the bill revealed that additional tributes to Watson would take place on February 28 at Grand Street Cafe and on April 14 at the Folly Theater. 

Most of the friends and family of the three dozen students performing at the concert didn’t flinch.  As one of the dedicated Bobby Watson enthusiasts among the audience of 400 who paid $8 to attend the event in honor of the man who transformed the Kansas City jazz scene during his recently concluded 20-year tenure as the William and Mary Grant/Missouri Distinguished Professor in Jazz Studies at UMKC during the past 20 years, I was startled by the unceremonious tone of Butler’s significant announcement. 

I was still processing the news when the UMKC Jazz Ensemble directed by Aryana Nemeti tore into Rob McConnell’s arrangement of “Just Friends.”  Watson and members of Horizon joined the big band on separate selections.  Witnessing the young men in the trumpet section smile appreciatively as Terell Stafford soloed and guitarist Zak Jonas react to pianist Benny Green’s deft comping with awe was delightful.

A performance by Horizon- this edition of the fabled group consisted of Watson, Stafford, Green, bassist Carroll Dashiell and drummer Victor Lewis- followed.  The good cheer and comradery among the five men was matched by their jubilant form of hard bop.  Knowing that nothing was likely to top Horizon’s 35-minute outing, I left at intermission.  (Horizon setlist: Country Corn Flakes, Heckle and Jeckyl, Falling In Love With Love, E.T.A., outro theme)

(Original image of Benny Green, Carroll Dashiell, Terell Stafford and Bobby Watson by Plastic Sax.)

Now's the Time: Charles Williams

Charles Williams delivers a gospel selection at a Sunday morning worship service in the embedded video.  Eddie V’s will provide an entirely different setting for Williams’ trio on Sunday, November 24.  Details about the in-demand musician’s additional gigs this weekend are here.

Confirmation: Weekly News & Notes

*Ryan Heinlein surveys Kansas City’s jazz scene in Libby Hanssen’s feature for The Pitch.

*On the Lam, a 2010 recording by Todd Wilkinson & The Goombahles, was recently released.

*Joe Dimino documented a performance by Matt Kane and interviewed Jason Goudeau.

*Pat Metheny’s album From This Place will be released by Nonesuch Records on February 21.

*Tweet o’ the Week: Kansas City Latin Jazz Orchestra- Envienos sus consultas acerca de nuestros programas y actividades juveniles (conciertos y clases) para el verano de 2020. Envíe un correo electrónico a nuestro director ejecutivo a kclatinjazz@gmail.com para obtener información.

(Original image by Plastic Sax.)

Album Review: The Myers Swingset- The State of This City

The provocative title of The State of This City, the new album by the Myers Swingset, demands a forthright reckoning.  Pianist and bandleader Jackie Myers, saxophonist Mike Herrera, bassist Sam Copeland and drummer Jim Lower provide a high-definition aural snapshot of the music most commonly performed in Kansas City jazz clubs.

Myers’ 2018 album The Instrumental One is an uncommonly hazy document, but the Texas transplant and the three stalwarts of Kansas City’s scene offer a buttoned-down form of jazz on The State of This City.  The album may be unapologetically mainstream, but strong melodies and unfailingly swinging arrangements deter tedium.

Myers is the least assertive member of quartet.  Her largess allows Herrera to sound like one of Cannonball Adderley’s worthiest disciples.  His contribution to the funky “Song for Lydia” is particularly rewarding.  Copeland’s heartfelt bowed solo on “Ice Elation” is a thing of beauty.  Lower is unleashed on “Modal Logic.”  And Myers earns bonus points for the ingenious title of “Ernestly Melting”.

The audience at the live recording is the most troubling aspect of The State of This City.  The lackluster response of what seems to be a couple dozen people at the Green Lady Lounge Black Dolphin sounds as if hostages are being forced to applaud at gunpoint.  Their timidity belies the setting.  Local audiences demand expertly performed straight-ahead jazz.

The State of This City doesn’t contain a single surprise or unexpected turn.  Uniform consistency is also precisely what’s prized at Kansas City’s ballyhooed barbecue restaurants.  It’s indicative of the conservative nature of the region.  The jazz scene looks and sounds much different elsewhere, but adherence to convention and dedication to decorum continue to define the state of this city.

(Original image by Plastic Sax.)

Now's the Time: Jason Marsalis

Jason Marsalis, the younger brother of Branford, Wynton and Delfeayo, performs at the Blue Room on Saturday, Nov 16.  The vibraphonist evokes Milt Jackson in the embedded clip.