Showing posts with label Julian Vaughn. Show all posts
Showing posts with label Julian Vaughn. Show all posts

Wednesday, December 4, 2019

Confirmation: Weekly News & Notes

*Chris Hazelton chatted with a Canadian journalist.

*The Kansas City Star previewed concerts by Julian Vaughn, the Messthetics and the Jazz at Lincoln Center Orchestra.

*Wynton Marsalis spoke to Patrick Neas in advance of his concert at the Midland theater.

*Wing Walker Orchestra’s Hazel and Joyce DiDonato’s Songplay, albums with ties to Kansas City, are among the 272 titles given a Best Albums of 2019 designation by Downbeat magazine.

*Tweet o’ the Week: Karen Abrams- Hit up a bit of the black music scene at 18th & Vine in Kansas City - jazz, blues and trap music bar/ Raiders Party in one block. Tomorrow is a BBQ spot. Weirdly dope so far.

(Original image by Plastic Sax.)

Wednesday, July 17, 2019

Confirmation: Weekly News & Notes

*According to event organizer Lori Chandler, the Musicians for Molly benefit at Mod Gallery on Sunday, July 14, raised more than $20,000.

*Matt Otto is profiled by an in-house publication of the University of Kansas.

*The offerings of the 2019 edition of the Charlie Parker Celebration organized by KC Jazz Alive include a concert featuring locally based musicians at Liberty Performing Arts Theatre on August 23. 

*Tweet o’ the Week: Jazzy 88 WFSK- Tune-in on Thusdays to hear WFSK'S Artist of the Week! This week's Artist of the Week is Bassists Julian Vaughn, his new release is entitled "Supreme"! Although the bass is often associated with funk, Vaughn likes to play with more of a finesse style as well as some funk.

*From a press release: Join the American Jazz Museum for an entire month of programming celebrating Charlie “Bird” Parker… Charlie Parker’s plastic Grafton Saxophone, played in the now famous 1953 Jazz at Massey Hall concert, is on display in the Museum’s permanent exhibit. This August, the American Jazz Museum presents four free unique public programs, exhibits, and performances honoring Parker’s legacy.  Charlie Parker: Ready, Set, Bird! - Friday, Aug. 2nd; Charlie Parker: Bird’s The Word - Friday, Aug. 16th; Charlie Parker: Expectations of Bird - Saturday, Aug. 24th; Charlie Parker: Bird’s Fixings - Thursday, August 29th. Details are here.

(Original image by Plastic Sax.)

Wednesday, July 10, 2019

Confirmation: Weekly News & Notes

*Yoko Takemura recounts the backstory of the release of Jay McShann’s new Live in Tokyo album for Jazz Tokyo.

*Selections by Karrin Allyson, Peter Schlamb and Bobby Watson and were highlighted in an episode of the weekly radio program Eight One Sixty titled “Best Albums of the Decade.”

*Julian Vaughn’s Supreme debuted at #6 on Billboard’s jazz albums chart.

*A quartet led by vocalist Kelly Gant performed on Star Sessions.  Gant is among the artists on the bill at a fundraiser for Molly Hammer at Mod Gallery on Sunday, July 14.

*Chris Burnett is featured on page 130 of the latest issue of KC Studio magazine.

*Brad Allen and Herschel McWilliams were interviewed by Joe Dimino.

*An essayist proposes that Robert Altman’s “films are a true reflection of the Kansas style Jazz that he grew up with in his hometown.”

*Tweet o’ the Week: Sabrina Moella- 10. But back to the show, the whole band was excellent. Kristopher Funn on bass, Lawrence Fields on piano, Corey Fonville on drums, Chief aTunde Adjuah himself on trompet, Logan Richardson on the sax & Weedie Braimah on djembe. Chile. That's a jazz band dream team right there.

(Original image by Plastic Sax.)

Sunday, July 7, 2019

Album Review: Julian Vaughn- Supreme

The gentle rumble of Julian Vaughn’s bass during the initial moments of “On Notice,” one of the curative tracks on his new album Supreme, feels as refreshing as air conditioning on a sweltering summer day.  As with temperature control, the smooth jazz crafted by the Kansas City musician is intended to enhance life rather than serve as its primary focus.  Not only are the eleven selections on Supreme designed to make pleasant moments even more gratifying, they’re capable of dispersing worry.  Even Vaughn’s strong pop orientation on an arrangement of After 7’s 1990 slow jam “Ready or Not” hums unobtrusively in the background like an efficient central air system.

(Original image by Plastic Sax.)

Thursday, June 20, 2019

Now's the Time: Julian Vaughn


Julian Vaughn, a graduate of Shawnee Mission North High School, celebrates the release of his new album Supreme with a concert at iWerx on Saturday, June 29. Tickets are available here.

Sunday, May 19, 2019

Ghosts in the Machine


Kansas City’s jazz scene isn’t merely haunted by its illustrious history.  The formidable legacy of past masters often seems to suffocate the musicians of today.  That’s one of the takeaways from an exercise I conducted at my nondenominational music blog There Stands the Glass.

The examination of Spotify’s monthly listeners metric for artists associated with Kansas City offers intriguing insights into the consumption of jazz recordings.  Half of the artists in the top ten and 24 of the top 100 are jazz musicians.  Pat Metheny, Karrin Allyson, the jazz-adjacent Oleta Adams and the smooth jazz stars Norman Brown and Julian Vaughn are the only living jazz artists in the top 50.  And the gulf between the iconic Charlie Parker (#10, 495,000 monthly listeners) and his present-day successor Logan Richardson (#99, 1,000 monthly listeners) is astounding. 

The absence of many of the artists regularly documented at Plastic Sax is glaring.   I note at the original post that “many ostensible hometown heroes are streamed by only a few hundred users each month.”  Streaming isn’t a zero-sum game- just because someone streams Charlie Parker doesn’t mean they’re not also streaming Logan Richardson- but the extreme imbalance between old and new is frightening.

(Original image by Plastic Sax.)

Thursday, December 13, 2018

Now's the Time: Julian Vaughn


The Kansas City bassist Julian Vaughn headlines the Gift of Christmas concert at the Gem Theater on Saturday, December 15.  The show is one of 25 of the date’s gigs listed on The Kansas City Jazz Calendar.

Sunday, December 3, 2017

Plastic Sax’s Favorite Albums and Performances of 2017
















Favorite Albums by Kansas City Based Artists
1. Matt Otto and Ensemble Ibérica- Ibérica (Plastic Sax review)
2. Bobby Watson- Made in America (Plastic Sax review)
3. Hermon Mehari- Bleu (Plastic Sax review)
4. Dino Massa's Kansas City Quintet- Echoes of Europe (review at KCUR)
5. Julian Vaughn- Bona Fide
6. Matt Otto and Andy Ehling- Reunion (Plastic Sax review)
7. Deborah Brown- Kansas City, Here I Come
8. Steve Lambert- Seven Stories (Plastic Sax review)
9. The Matt Cook Collective- Along Those Lines (Plastic Sax review)
10. The Sextet- Blob Castle (Plastic Sax review)

Favorite Albums By Artists From Elsewhere
1. Miguel Zenón- Típico
2. Aruán Ortiz- Cub(an)ism
3. Yelena Eckemoff- Blooming Tall Phlox
4. Rob Luft- Riser
5. Rudresh Mahanthappa and the Indo-Pak Coalition- Agrima
6. Avishai Cohen- Cross My Palm With Silver
7. Tigran Hamasyan- An Ancient Observer
8. Kamasi Washington- Harmony of Difference
9. Ron Miles- I Am a Man
10. Various- The Passion of Charlie Parker (Plastic Sax review)

Favorite Performances by Kansas City Based Artists
1. Marilyn Maye- Quality Hill Playhouse (Plastic Sax review)
2. Matt Otto Trio with Anthony Wilson and Shay Estes- Blue Room
3. Alaturka- Polsky Theatre (Plastic Sax review)
4. Owen/Cox Dance Group and the People’s Liberation Big Band- Polsky Theatre (Plastic Sax review)
5. Gerald Spaits’ Sax & Violins- Westport Coffeehouse
6. The Project H- Black Dolphin
7. Eddie Moore, Dominique Sanders and Zach Morrow- Plaza Art Fair
8. Nate Nall Sextet- Homer’s Coffee House
9. Blair Bryant- The Kansas City Jazz & Heritage Festival
10. Stan Kessler Quartet- Black Dolphin

Favorite Performances by Artists From Elsewhere
1. Donny McCaslin- Folly Theater (Plastic Sax review)
2. Brian Blade Fellowship- Gem Theater
3. Danilo Pérez’s “Jazz 100”- Yardley Hall (Plastic Sax review)
4. Thundercat- Granada (Plastic Sax review)
5. Jack DeJohnette, Ravi Coltrane and Matthew Garrison- Gem Theater (Plastic Sax review)
6. Ramsey Lewis- Gem Theater (review at The Kansas City Star)
7. Greg Tardy Trio- Blue Room (review at The Kansas City Star)
8. Flying Lotus- Midland (Plastic Sax review)
9. John Scofield- Kansas City Jazz & Heritage Festival (review at The Kansas City Star)
10. Victor Wooten Trio- Madrid Theatre (Plastic Sax review)

Plastic Sax conducted similar exercises in 2016 (albums and performances), 2015, 2014 (albums and performances), 2013 (albums and performances), 2012, 2011 and 2010.

(Original image of Thundercat at the Granada by Plastic Sax.)

Wednesday, December 9, 2015

Confirmation: Weekly News & Notes
















*The Kansas City Star reports that EBT restaurant will close at the end of the month.  The establishment's lounge has long featured performances by many of Kansas City's most prominent jazz musicians.

*KC Jazz Lark assesses the “voids” in Kansas City's jazz scene.

*Bryan Hicks was the subject of a 50-minute interview on KCUR’s Central Standard program.

*Joe Klopus highlights a handful of forthcoming concerts.

*Julian Vaughn promoted his concert at the Gem Theater on a morning television program.  The Pitch recommends the show.

*Karrin Allyson was nominated for a Grammy Award in the category of Best Jazz Vocal Album for Many A New Day: Karrin Allyson Sings Rodgers & Hammerstein.

(Original image of an autographed studio wall at 90.9 The Bridge by Plastic Sax.)

Sunday, July 5, 2015

Grading the 2015-16 Folly and Gem Seasons














While I was thrilled to serve as the host of a pre-concert talk at the Folly Theater in March, the honor hasn’t softened my unflinching analysis in this installment of Plastic Sax’s annual examination of the bookings at the Folly Jazz Series and the American Jazz Museum’s Jammin’ at the Gem concerts.


Bobby Watson Quartet featuring Curtis Lundy
Folly Theater, September 18
Bobby Watson is the Moses of Kansas City’s current jazz scene.  Plastic Sax’s Person of the Decade, Watson is a monumental artist and invaluable educator.
Grade: A

Julian Lage Trio
Folly Theater, November 21
My appreciation of Julian Lage’s appearance at the sorely missed Jazz Winterlude festival in 2013 was tempered by the disgruntled murmurings of audience members who didn’t care for Lage’s adventurous explorations.  His concert at the Folly Theater should attract more attentive listeners. 
Grade: A-

Julian Vaughan
Gem Theater, December 12
The Kansas City smooth jazz bassist Julian Vaughn limits his local shows to prestigious benefit concerts, large theaters and expansive festivals.  The unconventional tactic seems to be working.  Plastic Sax reviewed Vaughn's new album in April.
Grade: B

David Benoit Christmas Tribute to Charlie Brown
Folly Theater, December 18
David Benoit was a star in the smooth jazz radio era.  While his light and melodic approach makes him a logical interpreter of Vince Guaraldi’s seasonal compositions, it’s difficult to muster much enthusiasm for this booking.
Grade: C

Kim Waters
Gem Theater, February 13
Kim Waters performs a sultry variation on the music associated with Kenny G.  Sweet and Sexy, the title of the saxophonist’s 2014 album, encapsulates Waters’ appeal.  The February 13 booking makes sense as a valentine-themed event.
Grade: C+

Alicia Olatuja
Folly Theater, March 11
Like a young Oleta Adams, the St. Louis native Alicia Olatuja specializes in tasteful, jazz-informed pop.  The appearance by this year’s “Spotlight Artist” in the Folly series promises to be exceedingly pleasant.
Grade: B

Patti Austin
Gem Theater, March 26
I’ve always dug Patti Austin.  Once a genteel R&B vocalist, Austin has gracefully shifted to jazz-tinged fare.  She released a fine tribute to Ella Fitzgerald in 2012.
Grade: B

Christian McBride Trio
Folly Theater, April 9
While I’d prefer a performance by Christian McBride in a context other than an acoustic trio, April's gig should serve as a master class in tasteful swing.  (Docked a notch because McBride seems to perform in the area every year.)
Grade: B

The Bad Plus Joshua Redman
Gem Theater, April 16
The measly turnout for The Bad Plus’ 2010 concert at the Folly Theater was one of the most disappointing debacles in recent years.  A dearth of area bookings featuring other forward-thinking acts ensued.  The Bad Plus’ new album with the exciting saxophonist Joshua Redman is solid.
Grade: A

Dee Dee Bridgewater & Irvin Mayfield with the New Orleans Jazz Orchestra
Folly Theater, May 21
The controversy surrounding Irvin Mayfield may have died down by the time the final concert in the Folly’s series transpires.   Dee Dee Bridgewater’s African-themed show at the Gem Theater in 2007 is one of the best concerts I’ve witnessed.
Grade: B+

The McFadden Brothers & Ida McBeth
Gem Theater, May 21
The McFadden Brothers may be Kansas City’s most undervalued act.  The duo’s Las Vegas-style razzle-dazzle is charming.  Ida McBeth is a local institution.  Even though both artists are fixtures on local entertainment calendars, the musicians are deserving of a “Lifetime Achievement Award Concert."
Grade: B

(Original image by Plastic Sax.)

Sunday, June 7, 2015

Plastic Sax’s Favorite Performances and Albums of 2015 (So Far)
















I’m taking a break from blogging for two or three weeks. Here are lists of my favorite things on the jazz scene during the first half of 2015.

Favorite Performances by Locally Based Musicians
1. Lauren Krum with the Project H- Westport Coffeehouse (Plastic Sax review)
2. Peter Schlamb’s Electric Tinks- RecordBar
3. Chris Hazelton’s Boogaloo 7- Green Lady Lounge
4. Eddie Moore and the Outer Circle- Take Five Coffee + Bar (Plastic Sax review)
5. James Isaac Quintet- Take Five Coffee + Bar (Plastic Sax Review)

Favorite Performances by Musicians From Elsewhere
1. Trio M- Take Five Coffee + Bar (Plastic Sax review)
2. Avishai Cohen, Tal Mashiach and Nasheet Waits- Take Five Coffee + Bar (Plastic Sax review)
3. Max Raabe and Palast Orchester- Helzberg Hall
4. Bill Frisell- White Theatre
5. The Hot Sardines- Folly Theater

Favorite Albums by Locally Based Musicians
1. Dominique Sanders- A True Story Based On… (Plastic Sax review)
2. Matt Kane & the Kansas City Generations Sextet- Acknowledgement (Plastic Sax review)
3. Eddie Moore and the Outer Circle- Live In Kansas City
4. Paul Shinn Trio- Easy Now (Plastic Sax review)
5. Julian Vaughn- Limitless (Plastic Sax review)

Favorite Albums by Musicians From Elsewhere
1. Rudresh Mahanthappa- Bird Calls (Plastic Sax review)
2. Marc Cary- Rhodes Ahead, Vol. 2
3. Donny McCaslin- Fast Future
4. Terence Blanchard- Breathless
5. Kamasi Washington- The Epic

(Original image of Eddie Moore by Plastic Sax.)

Wednesday, May 13, 2015

Confirmation: Weekly News & Notes














*The Pitch reports that big changes are afoot at the Broadway Jazz Club.

*Gerald Dunn gives fascinating responses in a question-and-answer session with The Pitch.

*KC Jazz Lark provides context to recent developments on Kansas City’s jazz scene.

*Joe Klopus spoke to Avishai Cohen in advance of the trumpeter’s appearance at Take Five Coffee + Bar on Thursday.  The Pitch also recommends the show.

*Julian Vaughn was featured on KCUR’s Local Listen segment. 

*The new opera Charlie Parker’s Yardbird opens in Philadelphia on June 5.

*Tweet o’ the Week: negroleauguesmuseum- At @julianvaughn CD release party at the Gem Theater. His new project is called "Limitless & it's outstanding!

*Comment o’ the Week: Cb- HIB - Thanks for covering the jazz scene at PlasticSax.com (those of us who love the music don't say it enough) and for posting the link about the kind Jazz Beat feature by Larry Kopitnik in The Pitch! Dino has been here since Wednesday (May 6) and really loves Kansas City. We are looking forward to performing at the Blue Room on Friday May 8 and at Take Five on Saturday May 9. However, for some odd reason, I could not find any trace of Joe Klopus' column "Jazz Town" in The Star online. Best, Cb

(Original image by Plastic Sax.)

Sunday, April 26, 2015

Album Review: Julian Vaughn- Limitless















As I browsed the day’s new releases at Amazon last Tuesday, I was pleasantly surprised to spot Limitless, the latest effort by Julian Vaughn, listed among the site’s top 100 sellers. 

I can’t remember the last time I saw a Kansas City based jazz musician place so prominently on Amazon’s sales chart.

It’s not difficult to understand the appeal.  Vaughn plays insinuating contemporary jazz.  Limitless includes quiet storm R&B, upbeat tracks with hip-hop elements and a tribute to one of the bassist’s primary influences, the late musician and basketball star Wayman Tisdale. 

The album release concert for Limitless is Friday, May 8, at the Gem Theater.

(Original image by Plastic Sax.)

Wednesday, July 17, 2013

Confirmation: Weekly News & Notes


















My occasional public spats with KC Jazz Lark in no way diminish my ongoing admiration of the man.  For one thing, he clearly knows how to book a world-class jazz festival.  The lineup of The Prairie Village Jazz Festival is extraordinary.  The free event is Saturday, September 7, at Harmon Park.  Here are the details, along with one Plastic Sax annotation for each performance:

Bobby Watson All-Star Big Band with Special Guest Jon Faddis 9:00-10:30 p.m.
Bobby Watson, alto saxophone, Jon Faddis, trumpet, plus a big band
(Watson is Plastic Sax's Person of the Decade.)

Marilyn Maye 7:40-8:40 p.m.
Marilyn Maye, vocals, Tedd Firth, piano, Gerald Spaits, bass, Jim Eklof, drums
(Plastic Sax documented an appearance by Maye at the Gem Theater in 2010.) 

Everett DeVan – Chris Hazelton Quartet 6:30-7:20 p.m.
Everett DeVan and Chris Hazelton, Hammond B3 Organs, Matt Hopper, guitar, Danny Rojas, drums
(Plastic Sax reviewed a performance by Hazelton last year.)

Mutual Musicians Foundation All-Stars 5:20-6:10 p.m.
Steve Lambert, tenor saxophone, Mike Herrera, alto saxophone, Peter Schlamb, vibraphone, Chris Clarke, piano, Dominique Sanders, bass, Brad Williams, drums
(Plastic Sax reviewed a performance by Lambert in 2011.)

Parallax 4:10-5:00 p.m.
Stan Kessler, trumpet, Roger Wilder, piano, Bill McKemy, bass, Ryan Lee and Brian Steever, drums
(The most recent Plastic Sax review of a Parallax performance was published in January.) 

Andy McGhie Quintet 3:00-3:50 p.m.
Andy McGhie, saxophone, Hermon Mehari, trumpet, Andrew Ouelette, piano, Karl McComas-Reichl, bass, Ryan Lee, drums
(Mehari was Plastic Sax's Person of the Year in 2009.) 

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The nominees for the Pitch Music Awards in the category of "Jazz Ensemble" are Alaturka, Diverse, KC Sound Collective, Parallax, People's Liberation Big Band and Shades of Jade.  The "Jazz Solo" nominees are Brandon Draper, Eddie Moore, Hermon Mehari, Jeff Harshbarger and Mark Lowrey.

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KCJazzLark takes a dig at Plastic Sax as he lauds the current big band renaissance in Kansas City.

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Joe Dimino interviews Brian Steever for Neon Jazz.

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Joe Klopus chats with Kent Rausch of Vine Street Rumble.

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T.J.Martley's excellent improvisation lesson series continues.

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The Kansas City Star offers a review of last week's Francois Rabbath concert.

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The Pitch recommends a gig by the Andy McGhie Ensemble.

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"A Night At The American Jazz Museum" resembles an 80-second sprint through the facility.  (Tip via Tony's Kansas City.).

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Steve Cardenas performs on the new album by the Steve Swallow Quintet.

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Tweet o' the Week: Julian Vaughn- OJ Simpson payback!

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From Take Five Coffee + Bar: Friday evening saxophonist Andy McGhie is bringing a select group of Kansas City's young powerhouse players: Hermon Mehari on trumpet, Peter Schlamb on vibraphone, Karl McComas-Reichl on bass and Ryan Lee on drums. (Someday, when fantasy jazz leagues replace sports betting, this will be recognized as a dream team with future All-Stars at every position.)  Saturday evening it's Mardi Gras in July with drummer Arny Young's Necessity Brass Band bringing the second-line funk. Jack Blackett on sax, Nick Howell on trumpet, Pat Conway on sax and percussion and Bill McKemy on sousaphone. There may be marching, probably Hurricanes, definitely beads.  Join us, bring friends, tell the world. Cover is $5, shows start at 8.

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From a press release: Bird: The Life and Music of Charlie Parker artfully weaves together firsthand accounts from those who knew him with new information about his life and career to create a compelling narrative portrait of a tragic genius.

While other books about Parker have focused primarily on his music and recordings, this portrait reveals the troubled man behind the music, illustrating how his addictions and struggles with mental health affected his life and career.  He was alternatively generous and miserly; a loving husband and father at home but an incorrigible philanderer on the road; and a chronic addict who lectured younger musicians about the dangers of drugs.  Above all he was a musician, who overcame humiliation, disappointment, and a life-threatening car wreck to take wing as Bird, a brilliant improviser and composer.

With in-depth research into previously overlooked sources and illustrated with several never-before-seen images,
Bird: The Life and Music of Charlie Parker corrects much of the misinformation and myth about one of the most influential musicians of the twentieth century.

(Original image by Plastic Sax.)

Friday, November 9, 2012

Now's the Time: Julian Vaughn


In its publicity materials for the Buck O'Neil Celebration 2012, the Negro Leagues Baseball Museum suggests that "Buck loved virtually every music art form but surmised them all by saying 'It's all Jazz'."  That's an excellent workaround for the divisive fact that Tuesday's "It's All Jazz" concert at the Gem Theater doesn't feature what most people would consider jazz.  I'm not most people.  Avery*Sunshine is an Erykah Badu-style neo-soul artist.  Her sensibility is entirely in keeping with the spirit of Billie Holiday.  Bassist Julian Vaughn is poised to become to the biggest smooth jazz artist with a Kansas City connection since Norman Brown. The fine double bill is close enough for jazz.