Showing posts with label Ida McBeth. Show all posts
Showing posts with label Ida McBeth. Show all posts

Wednesday, October 26, 2016

Confirmation: Weekly News & Notes














*NextBop praises the “ever-present soulfulness” of Eddie Moore and the Outer Circle’s Kings & Queens album.

*The Pitch recommends the Monday afternoon performances at the Green Lady Lounge.

*Joe Klopus highlighted upcoming shows by Kathy Kosins and Ida McBeth for The Kansas City Star.

*The Topeka Jazz Concert Series received a $50,000 donation from a patron.

*Live jazz is reportedly featured in the cocktail lounge of the newly opened Eddie V’s restaurant on the Country Club Plaza.  Details have yet to be posted at the restaurant’s site.

*Pat Metheny topped the guitar category in the 81st Annual Downbeat Reader’s Poll.

*Michael Shults cites the example set by Hermon Mehari in a column about setting realistic goals.

*Tweet o’ the Week: Assilem Media HBIC- About this weekend... A lil sangin at the Mutual Musicians Foundation International #singer #songwriter #MeetAvaBella (video)

(Original image by Plastic Sax.)

Wednesday, May 18, 2016

Confirmation: Weekly News & Notes















*KCUR’s Up To Date aired a segment about Ida McBeth.

*The Pitch and The Kansas City Star previewed an upcoming concert at the Folly Theater starring Dee Dee Bridgewater and Irvin Mayfield.

*Charles Ferruzza explains why it’s impossible to stand on the corner of 12th & Vine.

*Tweet o’ the Week: JP McGinnis- lived in downtown KC for four years and hadn't been to the Green Lady Lounge. was missing out—this Sunday night band is tight.

*Comment o’ the Week: Chris Hazelton- Chris Hazelton- If Cecil Taylor is what you're basing your opinion of jazz from, then it's hard to disagree with him.

(Original image by Plastic Sax.)

Wednesday, May 11, 2016

Confirmation: Weekly News & Notes














*Gina Kauffman conducted a Portait Session with Krystle Warren for KCUR.

*Jessie Riggins reviewed a recent concert by the Kansas City Jazz Orchestra.

*C.J. Janovy reported on the American Jazz Museum’s new First Friday initiative.

*Joe Klopus anticipates a handful of forthcoming concerts in his column for The Kansas City Star.

*The Pitch recommends a Jammin’ at the Gem concert featuring Ida McBeth and the McFadden Brothers.

*Kathleen Holeman has released a new album.

*Tweet o’ the Week: @CJ Janovy- First Friday at @americanjazzkc #18th&Vine (video)

*From a press release: The KC Bass Workshop will be held July 15­19 2016, at Shawnee Mission North High School 7401 Johnson Dr. Overland Park, KS 66202… This world­class symposium is in its seventh year of inspiring an artful future in playing the double and electric basses…  We proudly welcome the return of maestro ​François Rabbath, ​a famed bassist known for his work with Michel Legrand, Edith Piaf and Jacques Brel, whom jazz master Ornette Coleman dubbed as the "inventor of free jazz". We welcome the amazing ​Mark Dresser​, one of the most unique voices on the Double Bass in the past 20 years. ​For more information, visit​ Kansas City Bass Workshop.

(Original image by Plastic Sax.)

Sunday, July 5, 2015

Grading the 2015-16 Folly and Gem Seasons














While I was thrilled to serve as the host of a pre-concert talk at the Folly Theater in March, the honor hasn’t softened my unflinching analysis in this installment of Plastic Sax’s annual examination of the bookings at the Folly Jazz Series and the American Jazz Museum’s Jammin’ at the Gem concerts.


Bobby Watson Quartet featuring Curtis Lundy
Folly Theater, September 18
Bobby Watson is the Moses of Kansas City’s current jazz scene.  Plastic Sax’s Person of the Decade, Watson is a monumental artist and invaluable educator.
Grade: A

Julian Lage Trio
Folly Theater, November 21
My appreciation of Julian Lage’s appearance at the sorely missed Jazz Winterlude festival in 2013 was tempered by the disgruntled murmurings of audience members who didn’t care for Lage’s adventurous explorations.  His concert at the Folly Theater should attract more attentive listeners. 
Grade: A-

Julian Vaughan
Gem Theater, December 12
The Kansas City smooth jazz bassist Julian Vaughn limits his local shows to prestigious benefit concerts, large theaters and expansive festivals.  The unconventional tactic seems to be working.  Plastic Sax reviewed Vaughn's new album in April.
Grade: B

David Benoit Christmas Tribute to Charlie Brown
Folly Theater, December 18
David Benoit was a star in the smooth jazz radio era.  While his light and melodic approach makes him a logical interpreter of Vince Guaraldi’s seasonal compositions, it’s difficult to muster much enthusiasm for this booking.
Grade: C

Kim Waters
Gem Theater, February 13
Kim Waters performs a sultry variation on the music associated with Kenny G.  Sweet and Sexy, the title of the saxophonist’s 2014 album, encapsulates Waters’ appeal.  The February 13 booking makes sense as a valentine-themed event.
Grade: C+

Alicia Olatuja
Folly Theater, March 11
Like a young Oleta Adams, the St. Louis native Alicia Olatuja specializes in tasteful, jazz-informed pop.  The appearance by this year’s “Spotlight Artist” in the Folly series promises to be exceedingly pleasant.
Grade: B

Patti Austin
Gem Theater, March 26
I’ve always dug Patti Austin.  Once a genteel R&B vocalist, Austin has gracefully shifted to jazz-tinged fare.  She released a fine tribute to Ella Fitzgerald in 2012.
Grade: B

Christian McBride Trio
Folly Theater, April 9
While I’d prefer a performance by Christian McBride in a context other than an acoustic trio, April's gig should serve as a master class in tasteful swing.  (Docked a notch because McBride seems to perform in the area every year.)
Grade: B

The Bad Plus Joshua Redman
Gem Theater, April 16
The measly turnout for The Bad Plus’ 2010 concert at the Folly Theater was one of the most disappointing debacles in recent years.  A dearth of area bookings featuring other forward-thinking acts ensued.  The Bad Plus’ new album with the exciting saxophonist Joshua Redman is solid.
Grade: A

Dee Dee Bridgewater & Irvin Mayfield with the New Orleans Jazz Orchestra
Folly Theater, May 21
The controversy surrounding Irvin Mayfield may have died down by the time the final concert in the Folly’s series transpires.   Dee Dee Bridgewater’s African-themed show at the Gem Theater in 2007 is one of the best concerts I’ve witnessed.
Grade: B+

The McFadden Brothers & Ida McBeth
Gem Theater, May 21
The McFadden Brothers may be Kansas City’s most undervalued act.  The duo’s Las Vegas-style razzle-dazzle is charming.  Ida McBeth is a local institution.  Even though both artists are fixtures on local entertainment calendars, the musicians are deserving of a “Lifetime Achievement Award Concert."
Grade: B

(Original image by Plastic Sax.)

Wednesday, March 19, 2014

Confirmation: Weekly News & Notes














*Eddie Moore interviews Dominique Sanders in a 16-minute video.

*The UMKC Conservatory of Music and Dance received a $500,000 donation from Sid and Carole McKnight.

*Pat Metheny was featured on the radio program Here and Now.

*Joe Klopus focuses on Saturday's Newport Jazz Festival: Now 60 concert at the Gem Theater in his The Kansas City Star column.  The Pitch also recommends the all-star bill.

*Joe Dimino posted three separate interviews with Chuck Haddix, Shirazette Tinnin and Russ Nolan.

*Chris Burnett's SoundCloud account remains active.

*Marc Myers reports on the death of Med Flory, one of the principal members of Supersax, the Charlie Parker-oriented band that also featured Ronnell Bright.

*Tweet o' the Week: Steven Lambert- #broadwayjazzclub March 26th, I'll be recording a LIVE album! Come be part of the magic, if you dare! Eight pm!

*From a press release: After taking a break from an extensive musical career of 43 years, renowned Kansas City performer Ida McBeth has decided to make the Broadway Jazz Club her new home. Mcbeth will be performing at the Broadway Jazz Club on March 29 (6:30-9pm), April 19 (6-9pm), and May 3 (6-9pm). She will perform exclusively at the club twice a month. Future dates will be announced as they approach.  "I'm hoping that they're ready for me because I'm ready for them. I want to hug every last one of them, I wish I could!" says Ida McBeth as she discusses her dedicated fan-base and the upcoming dates at the club. McBeth is ready to entertain fans at the Broadway Jazz Club with well-loved songs from her discography as well as various selections from traditional jazz musicians. McBeth will be accompanied by her band of several years…

(Original image by Plastic Sax.)

Wednesday, March 12, 2014

Confirmation: Weekly News & Notes













*KCUR reports that Ginny Coleman, the longtime cohost of the station's "Just Jazz" program, has died.

*KC Jazz Lark offers a history lesson about the Sunset Club.

*The Topeka Capital-Journal suggests that the city is a hotbed of jazz this month.

*The Pitch recommends Ida McBeth's forthcoming gig at the Blue Room.

*Tweet o' the Week: Bob McWilliams- Ticket giveaways galore from 9 to 11 tonight on #MyKPR for @PatMetheny plus @jaleelshaw and @dave_douglas at KU Jazz Fest.

*From Alaadeen Enterprises: Charts of Alaadeen's original compositions are now available for instant download. Richard White, Alaadeen's son and CEO of 'ASR Records, is responsible for this latest advancement in preserving Alaadeen's legacy.  Go to Alaadeen to download your favorite Alaadeen tune.  When you place your order, a link is sent to download and print your PDF files…

(Original image by Plastic Sax.)

Friday, April 20, 2012

Max Berry: The Documentary


It's premature to memorialize the very vital Max Berry, but this 13-minute documentary will serve as a fine tribute to the versatile Kansas City musician long after he's gone.  Berry is best known for his work in support of Oleta Adams and Ida McBeth and as a studio whiz.  Wouldn't it be wonderful if more Kansas City jazz musicians were the subjects of similar films?

Monday, June 13, 2011

Review: Deborah Brown at the Gem Theater


















Ida McBeth sang the national anthem at the inaugural event of Livestrong Sporting Park last week. Kelley Hunt served as the headliner at the Gladstone BluesFest on Saturday. That's as it should be. Both women have paid decades of dues on the regional jazz and blues scenes.

Meanwhile Deborah Brown, considered by many to be one of the world's greatest jazz vocalists, is a virtual unknown in her hometown of Kansas City. Perhaps the events of last weekend will help raise her profile. After playing Friday and Saturday at the Blue Room, Brown and a Dutch band led by drummer Eric Ineke relocated to the Gem Theater on Sunday. According to Joe Klopus' preview of the concert, a new recording is in the works.

I arrived at the Gem in time to hear the final thirty minutes of a performance by a band fronted by Kevin Johnson. The vocalist fancies himself a ladykiller in the vein of Luther Vandross. He's not. His cloying versions of songs by James Ingram, Marvin Gaye and Kenny Latimore was made bearable by a solid four-piece band that included pianist Phillip Brown.

After Johnson's set concluded, Deborah Brown lauded her brother Phillip's accomplishments. They performed a charming version of "Gee Baby, Ain't I Good To You" together. The duet allowed Phillip to show off his intriguing approach to piano. A forty-minute break ensued, allowing the approximately 200 people in attendance- most of whom seemed to know one another- to trade compliments about their handsome Sunday wardrobe selections.

"This is one of the best bands in Europe," emcee David Basse professed as he introduced Ineke's ensemble. "They've come to Kansas City to see what we do here."

Led by Ineke, Sjoerd Djikhuizen, tenor saxophone, Fereira Neves, trumpet, Rob van Bavel, piano, and Marius Beets, bass, expertly played straight ahead swing. That suits Brown's sensibilities. She's in thrall of Ella, Sarah and Nancy. Her voice- dare I say it?- is their equal.

"We're doing the music of Duke Ellington," Brown explained. "We had to tweak it to make it sound like the music of today."

If, by "the music of today," Brown meant 1965, her statement was accurate. I'm not complaining. Almost everything they played was exceptional. More importantly, they allowed Brown to showcase her stunning voice. She's one of the very few scat-oriented vocalists that doesn't make me cringe.

An unconventional arrangement of "Mood Indigo" was refreshing. A take on "In My Solitude" was gorgeous. A rendition of "My Old Flame" was sultry. The less familiar "I'm Checkin' Out, Goombye" provided lighthearted counterpoint. The immaculate interplay of Djikhuizen and Neves on the latter selection was remarkable. A man identified as Mayor Sly James joined Brown and the band on stage for a call-and-response version of "Kansas City." I'm not sure it was actually him, however, as he sounded far too good for a politician.

At just over an hour, Brown's performance might seem as if it didn't justify its $25 price tag. Those who were there, however, know that the quality of Brown's effort compensated for its lack of quantity.

(Original blurry image by Plastic Sax.)

Wednesday, January 6, 2010

Confirmation: Weekly News & Notes






















*Detractors of Plastic Sax should rejoice. KCJazzLark's clever review and gorgeous photos of Saturday's Bobby Watson & Horizon show are so good that I momentarily considered abandoning my Kansas City jazz blog.

*But who aside from Plastic Sax would point out that Jason Harper took a gratuitous swipe at Kansas City's jazz scene in his final column as the Pitch's music editor? "Efforts to revive the old music through appeals to noble concepts, such as 'heritage,' have been hugely ineffectual (the sad Jazz District)," Harper suggests. And who else would note that he agrees with Harper's sentiment?

*Before taking umbrage at my previous statement, note that Harper's, the charming restaurant directly across the street from The Blue Room, has closed.

*Doug Tatum is leaving his position as The Folly Theater's executive director.

*Robert Folsom profiles Hermon Mehari of Diverse.

*The Black House Improvisors' Collective site features a revealing interview with Russell Thorpe. An interview with Matt Otto is less successful. The ensemble next performs on January 15.

*"I hesitate to call myself a jazz singer," Ida McBeth tells John Kreibergs. "There always seems to be someone that'll say, 'She doesn't sing jazz; she sings R&B' or 'She sings gospel.' Instead, I prefer to call myself a song stylist." Read the rest of the excellent portrait of McBeth here. And Hearne Christopher remembers an old story concerning McBeth.

*KCJazzLark shares wonderful photos of Diverse. While it lacks the same degree of artistry, I'm rather proud of the image I took on the same night.

*Jardine's site was hacked last week. Everything seems fine now. Hearne Christopher offers details.

*Can anyone vouch for John Stein? A press release says the "internationally renowned" guitarist was "born and raised" in Kansas City.

*Alaadeen periodically posts stories online. It's good stuff.

*Here's a rave review of a Deborah Brown performance in Europe. She's at the Blue Room on January 15.

*A blogger wonders about the career of trumpeter Carmel Jones.

*Sue Vicory announced that her documentary about Kansas City jazz and blues will premiere at the Gem Theater on May 6.

*A local blogger lists and ranks 43 albums and mixtapes released by Kansas City-area hip hop artists in 2009. How many jazz albums were released by local artists last year? A dozen?

*The 2010 schedule for St. Louis' Jazz At the Bistro is stellar. The Bad Plus and Vijay Iyer play the club in January. Lou Donaldson and Freddy Cole are among the artists performing in February. Meanwhile, Branford Marsalis plays a larger St. Louis venue next month. The organization also provides podcast interviews with Iyer and other visiting artists. Ahem...

*I really enjoy this rendition of Bobby Watson's "Lemon Cello" by a group of California students.

*It may be clumsy, but Plastic Sax's Kansas City Jazz Calendar remains the best tool in town for jazz fans. Jazz advocates have particularly intriguing decisions to make Friday. Choices include Allen Toussaint at The Folly Theater, the opening night of the Jazz Winterlude festival and Mark Lowrey vs Hip Hop at the Czar Bar.

(Original image by Plastic Sax.)

Sunday, February 8, 2009

Ida McBeth: An Appreciation






















How many times have I seen Ida McBeth sing? Fifty? Seventy-five? Just like many music fans in Kansas City, I sometimes take the vocalist for granted.

With that unmerited negligence in mind, I dedicated early Saturday evening to a McBeth performance at Jardine's.

McBeth is better than ever.

Her striking physical beauty is intact and her dusky voice is now even more laden with emotion.

She completely invests herself in her repertoire. Songs including Irving Berlin's "You Can Have Him," Bill Withers' "Grandma's Hands" and the Rodgers and Hart standard "Bewitched, Bothered and Bewildered" are unabashedly imbued with sorrow, bitterness and grief.

McBeth howls with anguish. Tears flow. Literally.

In peak form, McBeth is no less a distinctive and artistically important song stylist than Nancy Wilson, Nina Simone or Roberta Flack.

What's not to like? Well, I just don't dig McBeth's band. (Sorry guys.) I'd prefer either a smaller, more intimate presentation or a brassier, more commercial vibe. The current format just seems tired.

None of that matters, though, when McBeth is singing. She remains the best in Kansas City.

(Original image by Plastic Sax.)

Monday, December 8, 2008

Jazz Carol Fest 2008















The annual Carol Fest at Community Christian Church serves as an excellent survey of Kansas City's mainstream jazz scene. Yesterday's rendition was no exception. Even Scrooge- a character sometimes identified with Plastic Sax- would have tapped his toes with vigor.

Here are a few of the evening's highlights:

*Millie Edwards was the clear favorite of the capacity audience of about 600. The louder she sang, the more they loved her.

*I preferred Ida McBeth's controlled, emotional reading of "The Christmas Song."

*Angela Hagenbach, accompanied only by James Albright's bowed bass and Tim Whitmer's piano, was also outstanding on "I Wonder As I Wander."

*Bram Wijnands shone brightly on "Let It Snow" and "White Christmas." He played accordion to great effect on the latter.

*Guitarist Rod Fleeman anchored the house band. He demonstrated impeccable taste and versatility on every selection.

*Folk musician Danny Cox was a nice addition. His heartfelt original song allowed Fleeman to cut loose a la Duane Allman.

*Jurgen Welge's fine drumming was punctuated by festive seasonal flourishes.

*Other participants included Max Berry, Tom DeMasters, Everett DeVan, Jim Mair, Al Pearson, Diane "Mama" Ray and Lucky Wesley.

(Original blurry image by Plastic Sax.)

Thursday, June 12, 2008

Now's the Time: Rhythm & Ribs



Late-breaking news: Plastic Sax has learned that Patti Austin canceled due to illness. She's being replaced by Jonathan Butler.

Let's get this straight right up front- Rhythm & Ribs is not a jazz festival. As Gregory Carroll indicates in Joe Klopus' preview in today's Star, it's a very eclectic bill. I hope the "something for everyone" gambit pays off.

I've linked to a video of every main stage artist. Check the festival's site for the second stage schedule.

Friday, 5:00
Kansas City favorite Ida McBeth opens the main stage. (By the way, can someone please shoot a decent video of her performance? I'm grateful for what little is up at YouTube, but this clip doesn't capture Ida's essence.)

Friday, 6:30
Fourplay is in vogue with crate diggers searching for hip hop samples. I'm not among them.

Friday, 9:30
As seen here, Angie Stone is a fine soul singer in the tradition of Shirley Brown and Betty Wright.

Saturday, Noon
Alaadeen gets things started Saturday.

Saturday, 1:15
The festival's most intriguing booking is Louis Hayes and his exciting band. Here's a live performance from 2007.

Saturday, 3:30
Oleta Adams' "Get Here" sounds better with each passing year.

Saturday, 5:30
"Don't Be Afraid of the Dark"- Robert Cray will be playing under the sun.

Saturday, 7:30
Jonathan Butler is Patti Austin's last-minute replacement. He covers "No Woman, No Cry" in the video above.
Patti Austin describes her approach on the early '80s hit "Baby, Come To Me" in Joe Klopus' feature story on the vocalist. The video is above.

Saturday, 9:30
Get out your "Dukey Stick" for George Duke.