Confirmation: Weekly News and Notes

*A Plastic Sax tipster passed on a rumor that community radio station KKFI plans to reduce its jazz programming. I have absolutely no evidence to support this claim.

*Pat Metheny's new trio effort Day Trip was released yesterday. Here's a live sample. And I just discovered that Pat streams his music at his site. Follow the "radio" links.

*Joe Klopus profiled Stan Kessler's new band.

*The Sun offers a piece on Candace Evans.

*Seemingly apropos of nothing- a concept Plastic Sax fully embraces- a local television station put together a story about the Mutual Musicians Foundation.

*The Steve Penn column mentioned here earlier this week also covers the long-awaited official opening of Harper's at 18th & Vine.

*Two musicians who once backed Charlie Parker died recently. Bassist Earl May passed January 4. He was 80. Drummer Francis Clay died January 23. He was 84.

*Fine Minneapolis jazz blog Bebopified reviews a recent Jazz At Lincoln Center Orchestra concert. Wynton's gang returns to the Folly Theater on February 8.

*Some freak detected a strong jazz undercurrent at the Mars Volta's recent Kansas City concert.

*Download graphic artist Rob Schamberger's take on the Mutual Musicians Foundation here.

(Plastic Sax took this picture of Harper's on August 17, 2007. The room was open that summer night.)

The Blues Is Alright

Kansas City has been called the place where jazz meets the blues.

That relationship has taken an ugly turn in recent decades. The blues has pummeled jazz into submission. It's much worse than a black eye- it's as if jazz had its kneecaps broken and its tongue cut out.

Blues' gains aren't necessarily jazz's losses, of course. But the blues is clearly dominating the battle to win converts. Just look at the stark contrast in attendance at shows, club listings, radio play and membership in the respective appreciation societies. It's no contest.

That's all right- Plastic Sax loves underdogs. I could curate a site about collecting antique toenail clippers if I wanted to be more popular.

These musings are inspired by Star columnist Steve Penn's passing reference to a blues club that's scheduled to open soon at 18th & Vine. It's tremendous news even if a note of jazz is never played inside the venue. The Blue Room, the Mutual Musicians Foundation and the two museums can only benefit from the presence of additional music lovers.

Let's not put in that Do Not Resuscitate order just yet.

(Image by Stephen Longstreet.)

The Miles Bonny Hustle

I can already hear many of you protesting that Miles Bonny isn't really a jazz artist. Maybe, maybe not. The semantics of jazz don't interest me much. Jazz, funk, whatever- the guy is getting it done. Area musicians should consider him a role model. He's internet savvy and cranks out videos and a steady stream of product on his own record label. It's time to step up your game, jazz cats.

Confirmation: Weekly News and Notes

*Lee Ingalls put together a wonderful feature about Gregory Hickman-Williams for KCUR. His notes on the project are here.

*The Star is host to a readers' debate about the Congressional earmark providing additional funds for the American Jazz Museum.

*A new profile of Alaadeen is up at All About Jazz.

*Present magazine offers a fine video of jazz poet Kemet Coleman at the Blue Room. He's backed by drummer Brandon Draper. Fans of Gil Scott-Heron will appreciate it.

(Photograph taken by Plastic Sax earlier this week.)

Gregory Hickman-Williams Remembered

Additional chapters were added to the legacy of Gregory Hickman-Williams last weekend. The remarkable vocalist died in 2006, just as his career as a performer was gaining momentum.

It's distressing that my review of Passages still appears to be the only one published, but renewed attention is finally bringing deserved recognition to the stunning recording. KCUR recently aired an excellent feature about Hickman-Williams.

A significant portion of Kansas City's jazz community packed Jardine's on Sunday for a five-hour tribute to Hickman-Williams. Most performed selections from a list of material Hickman-Williams intended to record on future projects. Yet some of the evening's most moving moments came during pianist Pamela Baskin-Watson's accompaniment to a recording of Hickman-Williams' voice. She also played a particularly poignant version of the late Russ Long's "Save That Time."






















Other notable performances during the first half of the celebration included David Basse's (above, with Hickman-Williams' partner Jon Bauer) wonderfully stylized version of "Angel Eyes." Loren Pickford presented "Requiem For Gregory," a beautiful original composition.

Aron Carlson, one of Hickman-Williams' students, performed an oddly affecting a capella version of "Oh My Darling, Clementine." It silenced the room, a feat Hickman-Williams accomplished in the same venue. Other notable contributors were the Sons of Brazil, bassist Bob Bowman, the Wild Women of Kansas City and Millie Edwards, who served as master of ceremonies.

















Bauer unveiled a mural by Kerry J. Stucky depicting Hickman-Williams' life and legacy at his home on Saturday. This panel is just a portion of the enormous work. The remarkable statement captures the spirit of an unforgettable talent.






















(The first three images were captured by Plastic Sax.)

Robert Altman's Kansas City

It's a drag to walk past remnants of a temporary movie set a dozen years after production shut down. Even so, that shouldn't detract from the excellence of Robert Altman's Kansas City. Plastic Sax recommends the soundtrack. The music, even in this recreation, is timeless.

Confirmation: Weekly News and Notes

*Hearne Christopher quotes Jayne McShann on her plans for the Mutual Musicians Foundation in 2008.

*An artist draws on the Foundation.

*Read a one-time Kansas City poet's jazz-inspired efforts here.

*Mr. Marco's V7 make a noirish noise that might appeal to fans of John Zorn, early Weather Report and Sonic Youth. They begin a Wednesday night residency at Davey's tonight.

*Don't ask me to explain the deal with CinemaJAZZ. I don't get it.

*Lee lives! Here are former Kansas Citian Lee Ingall's notes on the past year in jazz.

*Reminders: The tribute to Gregory Hickman-Williams is January 20 at Jardine's. And both Ahmad Jamal and Kevin Hays are at 18th & Vine on January 19.

(How is this original photo of a local mosaic jazz-related? I dunno.)