The Plastic Sax Muxtape

The good old days were a drag. Warped albums, crummy cassettes and universes of unheard music made discovering and collecting sound recordings an often frustrating endeavor.

Savvy musicians take advantage of today's enlightened environment by making samples of their music- an increasingly free commidity anyway- readily available to listeners.

Plastic Sax decided to join the cool kids by creating a Plastic Sax Muxtape of Kansas City jazz artists. I tossed this mix together Sunday afternoon using only downloadable material from MySpace, artist sites and record labels. The exception is the rarity by Pete Eye, which I snagged from an MP3 blog.

My mix opens with Megan Birdsall's bright signature song and ends with skronk from Dwight Frizzell and This Is My Condition. Also included are Chris Burnett, Bram Wijnands, Harold O'Neal, Kim Sivils and Steve Rigazzi, Ryan Jesperson, the New Red Onion Jazz Babies and Craig Akin. Enjoy.

(Original image by Plastic Sax. I still own hundreds of useless cassettes.)

Now's the Time: Kenny Werner

Incredibly accomplished pianist, composer and bandleader Kenny Werner performs in a trio setting Saturday at the Blue Room. As evidenced by the accompanying video, he's a master of the form. Jazz fans hoping to go for broke might choose to begin their evening at the Gem Theater premiere of the McFadden Brothers documentary.

Confirmation: Weekly News and Notes

*Steve Penn sheds some light on the mysterious new blues club in the jazz district. Plastic Sax is incredibly excited about its arrival. I've peered in the windows; it looks really nice. A note to management: Please, if you're not going to advertise, consider creating a simple web site. How about submitting your entertainment schedule to local papers? And have the acts you book post the gigs at MySpace.

*The Kansas City Library suggests a jazz reading list.

*Saxophonist Mike Miller reports that the Mango Room is closing. I've been unable to confirm his assertion.

*The Star's Robert Butler takes note of Sons of a Hoofer.

*Now this is what I call a party!

*A blogger thinks the American Jazz Museum is "worth the trouble".

*It's no secret that Plastic Sax has a thing for Erin Bode. The star-in-waiting brings her "folk-jazz" to the Blue Room Thursday.

*I love it when Wichita's biggest smooth jazz enthusiast gets angry.

*It sure is ugly, but I moved the Plastic Sax Event Calendar here.

(Original image of Kansas City Blues and Jazz Juke House Bar and Restaurant by Plastic Sax.)

An Education In Jazz

As I attended the MCC-Penn Valley 18th & Vine Jazz Festival last Friday afternoon, word was spreading that the International Association of Jazz Educators intended to file for bankruptcy.

According to a memo posted at the Manhattan, Kansas-based organization's site, IAJE "as it presently stands will no longer exist." The board president claims that the organization was "blindsided last fall with the discovery of the extent of the accumulated association debt."

(Although there's absolutely no indication that he's in any way remotely responsible for the situation, it must be noted that Greg Carroll, Executive Director of the American Jazz Museum, was the IAJE's Director of Education for ten years.)

Regular Plastic Sax readers already know that I'm not an advocate of the jazz education establishment. Friday's festival only solidified my stance.

The students could play remarkably well; that's not at issue. It's the distressing absence of passion and fire that's alarming. As if to confirm the event's lack of relevance, the audience consisted almost exclusively of supportive parents. I suspect that many of the teenage musicians applied their talent to ska, hip hop and rock bands later that night.

Why not allow these kids to make the music meaningful to themselves and their classmates during school hours? It's cool that high school marching bands play versions of Outkast's "Hey Ya!" and Black Sabbath's "Iron Man." But I'll bet they'd prefer to arrange and perform Green Day's American Idiot or Dr. Dre's The Chronic.

It's an appropriate time to reevaluate the status quo. The question must be asked- "Why jazz education?" If there's no satisfactory answer, perhaps jazz programs should be abandoned in favor of popular music departments.

I would rather hear an inspired cover of a Rick Ross hit than a desultory rendition of a Billy Strayhorn chart.

(Original image by Plastic Sax.)

My Suppressed Desire

Athough they're almost entirely forgotten today, the Coon-Sanders Original Nighthawk Orchestra may be the most successful act to have originated in Kansas City. Don't believe me? Chuck Haddix has details at Club Kaycee. He digs in even deeper in this essential history. Or just check Wikipedia.

(This gem was kindly brought to my attention by The New Low Down.)

Confirmation: Weekly News and Notes

*The trailer for Sons of a Hoofer, the new documentary about the McFadden Brothers, is posted at some awesome dude's MySpace page. It's also showing at the American Jazz Museum's site. And I just discovered that the museum has seven original videos available at MySpace.

*The Metheny Music Foundation's site has been updated with photos from their recent fundraising event.

*Mike Metheny is jazzed about his April 29 gig at a Lee's Summit library- "No talking, no smoking, no blenders buzzing during ballads, or spontaneous slow dancing by drunks in heat."

*The Philadelphia Inquirer gives Karrin Allyson's new release a lukewarm review.

*A blogger muses on dining options near the jazz district.

*A smoker teases the Blue Room's long-standing smoking ban in an editorial.

*Smart and lucky people are including the jazz festival and Friday's big show at the Gem in their weekend plans.

*Trad jazz fans are heading east for the Greater St. Louis Jazz Festival that begins today. (Link via St. Louis Jazz Notes.)

(Original image by Plastic Sax.)

The Plastic Sax Jazz Event Calendar

Welcome to my nightmare. People have been asking for a jazz calendar since the inception of Plastic Sax.

"But that's work!" I'd exclaim. "Besides, the Jazz Ambassadors produce a fine weekly jazz calendar."

Knowing that I had a free hour that might allow me to catch a bit of live music early Friday evening, I turned to their calendar only to discover that it hadn't been updated. And the Mutual Musicians Foundation event calendar has been dormant for weeks; I hope their Friday "Rush Hour" shows haven't been discontinued.

I remembered that Tim Whitmer has a Friday matinee at Jardine's and that smooth jazz was on tap at the Blue Room's Indigo Hour. But I wasn't in the mood for those offerings. Frustrated and disappointed, I furiously compiled this Kansas City jazz calendar in my office.

My calendar is obviously incomplete and highly selective. Only a fraction of live jazz events are listed here. Use the links on the right to see everything that's happening at clubs including Jardine's, the Blue Room, the Drum Room and the Majestic. It's safe to assume that musicians like Chris Burnett, Rod Fleeman and Angela Hagenbach are playing somewhere in Kansas City this week. Please click on their links.

Instead, my list focuses on special events, concerts and festivals. Please leave a comment if you spot a particularly egregious omission, demand to know why Junior Brown is on the calendar or merely want to tell me I'm an idiot. (I suppose I'll update this monster monthly; I may slap it on a separate site.)

4/15 People's Liberation Big Band w/ Pattern Is Movement- Record Bar

4/18 Benny Green/Christian McBride/Gregory Hutchinson- Gem Theater

4/18-19 MCC- Penn Valley 18th & Vine Jazz Festival

4/19 Logan Richardson with Billy Hart- Blue Room

4/19 Glenn Miller Orchestra- Carlsen Center

4/19 Junior Brown- Knuckleheads

4/19 Grand Marquis- Blues Society house party

4/24 Erin Bode- Blue Room

4/25-26 The Kansas City Jazz Orchestra, "Herd Again"- Unity On the Plaza

4/26 George Clinton- Crossroads KC

4/26 David Basse w/ OJT- Jardine's

4/29 Mike Metheny- Lee's Summit Library

4/30 Megan Birdsall- Jardine's

5/03 Leo Kottke and Leon Redbone- Uptown Theater

5/03 Bill Edwards, "Ragtime Revelry"- Community Christian Church

5/04 Clark Terry w/ KC Youth Jazz Orchestra

5/05 Son Venezuela- Crossroads KC

5/10 Monty Alexander- Folly Theater

5/16 Alto Madness w/ Richie Cole- Blue Room

5/16 Mike Dillon's Go Go Jungle w/ Hairy Apes BMX- Davey's Uptown

5/18 Brad Cox Ensemble- All Soul's Unitarian

5/19 Mark Southerland/Mike Dillon- Blue Room

5/22-24 Owen/Cox Dance Group- City Stage at Union Station

5/28 Dresden Dolls- Beaumont Club

5/30-31 Winard Harper- Blue Room

6/05-8 Wakarusa

6/06-8 Hawkfest w/ Sam Rivers, Dirty Dozen Brass Band, Flora Purim and Airto

6/06 Roy Bookbinder- Mountain Music Shoppe

6/14-15 Rhythm & Ribs Festival w/ Oleta Adams, Fourplay, George Duke

6/12 Chicago w/ the Doobie Brothers- Starlight

6/19-20 Jazz In the Woods- Erin Bode, Grady Nichols, Greg Adams

7/18 Matt Haimovitz- The Brick

9/17-21 Walnut Valley Festival, aka "Winfield"

9/26 Branford Marsalis w/ the Alexander String Quartet and- Lied Center

9/27 George Winston- Folly Theater

10/19 Marsalis Brasilianos- Carlsen Center

10/26 The Harlem Quartet- Lied Center

10/31 Spaghetti Western Orchestra- Carlsen Center

11/04 Savion Glover- Carlsen Center

12/13- The Boston Brass- "A Stan Kenton Christmas"- Lied Center

1/16/09 Metta Quintet, "Stolen Moments: 100 Years of Jazz"- Lied Center

2/11/09 Imani Winds, "Josephine Baker: A Life of Le Jazz Hot"- Lied Center

(Original image by Plastic Sax. Please bail me out!)