Sunday, July 29, 2012

Review: Jazz in the Weeds
















Jazz in the Weeds was cool.  Literally.  The temperature at the "pop-up" festival was at least ten degrees less than it was in Kansas City's central districts on Saturday.

The event was staged in the back of large lot behind a storage shed/barn near a lovely house.  The shaded grounds included free-range poultry and a goat pen.  Delightful!  A ten dollar donation came with tokens for a complimentary water and hotdog.  About sixty people enjoyed the excellent sound and relaxed ambience. 

I took in two performances in the ninety minutes I spent at the nifty event.  The Moon City Big Band is a fine kicks ensemble. One member graduated from high school two months ago while another is pushing 70.  Killer Strayhorn's winning set reminded me that the band is probably the closest thing Kansas City has to an act that embraces the sensibility of the ECM label.  (Plastic Sax's reviews of all three Killer Strayhorn albums are here).

I hope that the organizers of Jazz in the Weeds are willing to give it another go.  Kansas City desperately needs additional forums for jazz.  Besides, I'm eager to return to the spot that's seemingly exempt from this summer's heat wave.

(Original image of the Moon City Big Band and my tiny butterfly/moth friend by Plastic Sax.)

Thursday, July 26, 2012

Now's the Time: Jazz in the Weeds

I laughed out loud the first time I read the name of the Jazz in the Weeds festival.  Event organizers are presumably spoofing the nearly jazz-free but incredibly popular Jazz in the Woods festival.  The prospect of paying ten dollars to sit in a field while sweating like the owner of a Kansas City jazz club, however, isn't nearly as amusing.  Even so, I'm tempted by the lineup on Saturday, July 28.  It includes Killer Strayhorn (who provide the music for the embedded noirish video), the Michael Pagán Quartet, the Moon City Big Band and OJT.    

Edit: A musician performing Saturday at Jazz in the Weeds objected to the tone and content of this preview. He urged me to post a brief clip of the James Ward Band's set at last weekend's event. He also suggests that "(b)y 530 pm everyone is in the shade."

Wednesday, July 25, 2012

Confirmation: Weekly News & Notes


















*Book of Gaia was featured on KCUR's Central Standard program.

*Esperanza Spalding, the woman referred to as "The Future" in the Plastic Sax offices, will perform at Helzberg Hall on October 9.

*Kansas City's jazz clubs are reexamined by KCJazzLark.  Kansas City's most prominent blogger takes exception to KCJazzLark's optimism, suggesting that "nothing is going to revive the dead corpse of Kansas City jazz."

*"(F)*ck New York, look at the sh*t thats going on in KC," Phonologotronic asserts as he promotes an August 3 performance titled Fluid Fractures.

*Rep. Emanuel Cleaver paid tribute to the late Ben Kynard.

*Tim Finn wrote a profile of Marco Pascolini.

*Mike Phillips, an Atlanta-based contemporary jazz saxophonist, performed Canada's national anthem at the MLB All-Star game in Kansas City.

*Someone snuck a camera into a Black House Improvisors Collective rehearsal.

*Chris Mills' describes a recent performance by Nicolay & the Hot at Nights at the Blue Room.  Here's fan footage of the show.

*Ernestine Anderson is among the performers at the annual Charlie Parker Festival.  Alas, Kansas Citians must travel to New York to attend.

*Time Out London previews a Bobby Watson gig.

*All of Joe Dimino's Neon Jazz programs are available as audio streams.  The most recent episode opens with the Ben Kynard composition "Red Top."

*My fiendish plan worked.  Steve Kraske featured Matt Otto's "Bird" on KCUR's Up To Date last week.  The show streams here.  Otto's music appears at the 24:00 mark.

*Tweet o' the Week: kcjazzlark- At Take Five: Matt Otto & Rich Wheeler, tenor saxes, TJ Martley, piano, Ben Leifer, bass, Sam Wisman, drums, have the full house mesmerized.

*Comment o' the Week: "Kenny G"- If you think PLBB has or ever had a "manager", clearly you've never been to one of their shows.

*An amusing debate is raging in the comment section the Plastic Sax review of the new Music for Owen/Cox Dance Group, Vol. 1 album.

*From Michael Pagán: The second installment of the "Jazz In The Weeds" festival is Saturday, July 28, at 7607 E. 65th St., KCMO 64113.  The Michael Pagán Quartet featuring bassist Bob Bowman serve as headliners.

(Original image by Plastic Sax.)

Sunday, July 22, 2012

Review: Pat Metheny- Unity Band











Unity Band is a grower. 

The latest album by Lee's Summit native Pat Metheny initially seemed like a disappointment.  Only the soaring "Roofdogs," the most direct of the project's selections, seemed memorable upon first listen.  I was a fool not to immediately comprehend how much depth was embedded in every track. 

Focusing solely on drummer Antonio Sanchez's decisions- he's exceptionally busy throughout- or on the exciting pulse provided by bassist Ben Williams is immensely rewarding.  And that's just the rhythm section.  The pairing of brilliant saxophonist Chris Potter and Metheny is inspired.  The most intense moments of "Come and See" resemble a collaboration between Jim Hall and John Coltrane.  Unity Band is filled with such unlikely sounds.  It's a freewheeling album without borders or limitations.

One of the most profound musicians of our time, the prolific Metheny is undeniably "important."  Even so, Unity Band is Metheny's most (relatively) conventional jazz outing since 2008's Day Trip and his most vital jazz-based endeavor since 2007's Metheny/Mehldau Quartet.

Metheny will likely move on to new projects at the conclusion of the current tour.  (The Unity Band performs at the Folly Theater on September 6.)  Hopefully, Metheny will find a way to extend the life of the dynamic quartet beyond the inevitable release of a live album.

(Original image by Plastic Sax.)

Friday, July 20, 2012

Our Men in Paris


The jazz content in Diverse's video travelogue of Paris is minimal.  Even so, it's fun seeing footage of the young Kansas City band hanging out with Tony Tixier and Logan Richardson in the City of Light earlier this month.  Here's hoping the new French recordings will be released soon.

Wednesday, July 18, 2012

Confirmation: Weekly News & Notes













 *A friend told me that he'd be a guest on Up To Date's "Best Music to Date of 2012" show on KCUR this Friday.  In an attempt to make Kansas City jazz a part of the conversation, I compiled this list of the Top Five Kansas City Jazz Albums of 2012 (So Far): 1. Matt Otto- Broken Waltz, 2. Project H- Become Light, 3. Pat Metheny- Unity Band, 4. Killer Strayhorn- One Begins to Wonder, 5. Chris Hazelton Trio- Peregrination.

*Jeneé Osterheldt concedes that Kansas City really isn't a jazz town.

*Hearne Christopher reports that Greg Halstead, the founder of Jardine's, has died.

*Neon Jazz conducted a 21-minute interview with Megan Birdsall.

*The Star provided a report on the All-Star game watch party at the American Jazz Museum.

*Inspired by coverage during the All-Star game broadcast, a television station talks to Ollie Gates about the renovation of the YMCA building in the Jazz District. (Via Tony's Kansas City.)

*The BBC highlights the Mutual Musicians Foundation in a travel piece about Kansas City's "renaissance."

*A Beach House concert caused Hunter Long to question the purpose of improvisation. 

*Here's Ben Kynard's official obituary.  A resident of Gladstone fondly recalls Kynard in a letter to The Star.  I couldn't help but notice, however, that the sad news of Kynard's death has been ignored by most national jazz publications.

*Sue Vicory's documentary on Kansas City jazz will be screened at the Kansas International Film Festival in October.

*KKFI's new internet presence allows for quick access to the playlists of the station's jazz programmers.  (Tip via RH.)

*A set of wonderful photos of Claude "Fiddler" Williams is posted by KCJazzLark.

*Tweet o' the Week: @MBIRDMUSIC- This is KC jazz at its finest. Hatzzz Instagram

*Comment o' the Week: Sid Vicious- Hey happy, How can you recognize the superior musicianship of Bobby Watson and Matt Otto but then call the PLBB "arguably the best ensemble in the city"?  Thats like saying the best three soprano saxophonists to ever play the instrument are Trane, Branford and Kenny G.  You lose any kind of credibility when you make bone head assessments like that.  Sid

*From a UMKC press release: The University of Missouri Board of Curators has approved UMKC's Bachelor of Music in Jazz Studies. This addition to the Conservatory's degree program underlines the importance of the jazz program at the UMKC Conservatory. Directed by Bobby Watson, the jazz studies program at the Conservatory provides students with rich and varied experiences and opportunities to perform, travel, and work with some of the most important jazz artists working today, including Mel Martin, Donal Fox, Benny Golson, Roy Hargrove, the Mason Brothers, and many others.  The Conservatory Concert Jazz Band was number four on the national airplay charts with the recording of Bobby Watson's The Gates BBQ Suite. Jazz students are Betty Carter Fellows, teaching assistants at leading jazz programs throughout the country, Banff Artist Residents, recording artists and have won many of the world’s most prestigious jazz competitions.

*From Upper Room: The Swope Corridor Renaissance/Upper Room’s Eddie Baker School of Music will present Music Matters to benefit the children of its Music Program.  The musical event will be at 7:30 p.m. on Friday, July 27, at the Church of the Resurrection, 13720 Roe, Leawood, Kansas 66224… Featured performers of Music Matters are Mark Pender, Trumpet Virtuoso/TV personality from the Conan O'Brien Show; Lonnie & Ronald McFadden aka: The McFadden Brothers, celebrated dancer/singer/instrumentalists from the Wayne Newton Review; David Basse, nationally known recording artist; and Pamela Baskin-Watson, New York singer/songwriter.  Other performers are the children and staff from the Upper Room’s Music Program.

(Original image by Plastic Sax.)

Sunday, July 15, 2012

Review: Music for Owen/Cox Dance Group, Vol. 1























The People's Liberation Big Band is arguably the best musical ensemble in Kansas City.  Although it's substantially less popular than Hearts of Darkness, Tech N9ne or the Kansas City Symphony, the band invests an incomparable level of sonic creativity and reckless joy into each of its frequent performances.  That's why a new album with only one track featuring PLBB is noteworthy to fans of adventurous jazz. 

"12 Miniature Blues," the first of three selections on the 2012 release Music for Owen/Cox Dance Group, Vol. 1, contains most of the elements that make PLBB so appealing.  The freewheeling composition is filled with surprises, humor and wondrous waves of sound.  It manages to be entirely original even as it references Thelonious Monk. 

Accordion and drums are the sole instruments on PLBB bandleader Brad Cox's "Shenker's Last Stand."  The rendering resembles jazz accordionist Richard Galliano less than it does the artier works of Astor Piazzola.

To paraphrase a vulgar saying, "Hong Kong Audio Diary" is a 25-minute mind-mess.  Loud, abrasive and freaky, the sound collage includes contributions from a a few members of PLBB along with prominent Kansas City musicians including Beau Bledsoe and Gregory Sandomirsky.  As if Cox is using a remote control rather than a conductor's wand, the piece wobbles from blasts of feedback to Chinese folk  to lounge music to Mars Volta-style prog-rock.  The disorienting piece might be too extreme for even the most open-minded fans of experimental film composers like Ennio Morricone.

Music for Owen/Cox Dance Group, Vol. 1 may not have much of a beat, but the members of the Owen/Cox collective can dance to it.

(Original image by Plastic Sax.)