Friday, November 29, 2013

Now's the Time: Ernest Melton


During the first hour of the 18th & Vine Jazz and Blues Festival on October 12, I asked Gerald Dunn, the American Jazz Museum's Director of Entertainment, for tips on any under-the-radar performances I might otherwise miss.  He suggested that I look into a kid by the name of Ernest Melton who was slated to perform with a youth band.  Gerald was right.  Melton, 17, floored me.  Melton's aggressive attack is showcased at the beginning of this new video.  Drummer Ryan Lee and keyboardist Eddie Moore sparkle throughout the footage. 

Wednesday, November 27, 2013

Confirmation: Weekly News & Notes












*The Kansas City Star's lengthy examination of the Jazz District's struggles and an in-depth look at the state of the American Jazz Museum were written by Mike Hendricks.

*KC Jazz Lark continues his invaluable "What the Jazz Museum Was Going To Be" series.

*A blogger notes that Chuck Haddix has unearthed two previously undiscovered recordings featuring Charlie Parker.  (Tip via Tony's Kansas City.)

*Kin (←→), a new album by the Pat Metheny Unity Group ( Metheny, Chris Potter, Antonio Sanchez, Ben Williams and multi-instrumentalist Giulio Carmassi), will be released by Nonesuch on February 4, 2014.

*The Pitch takes note of the physical release of Bobby Watson's Check Cashing Day.

*The Kansas City Star published a review of the Kenny Barron Trio's concert at the Folly Theater.

*The push behind the construction of a "Jazz Walk of Fame" seems to be gaining momentum.

*The Kansas City Star reports that the new executive director of the Lied Center is the former vice president of concerts and programming at Jazz at the Lincoln Center.

*An amusing moment at the 3:00 mark of a video produced by Pharrell William's "Other" channel- "I've been listening to- what's that show?- "Bird Flight" on the radio early in the morning. It's that radio show all about Charlie Byrd."

*Tweet o' the Week: Heinlein Music- 98.1 going to town on 18th & Vine right now. So far my favorite quote has been, "I've never been there but maybe 20 people have been there."

*Comment o' the Week: Anonymous: I think it's a shame you feel the need separate the local from the touring. Hold everyone to the same standard and stop stacking the deck for local players. Of course if your standard is simply listing as many musicians as you can, by all means keep doing that.  Seriously, you mentioned seeing a dinner gig at the Majestic as one of your top shows? Gotta shoe-horn in Mark Lowry I suppose. The fact that you don't include dates is the big give away that you're just listing people. PLBB at the RecordBar? They play every month and their shows vary in quality depending on whose there and what the material was. Truly a facile and completely meaningless list.

*You can talk as much as you like as you're eating a $45 steak.

*From a press release: The University of Kansas School of Music proudly presents the 12th Annual Jazz Vespers concert at 7:30 p.m. on Thursday, December 12, 2013 at the Lied Center of Kansas.  The concert will feature KU Jazz Ensemble I and Jazz Ensemble II, directed by Dan Gailey, KU director of Jazz Studies; KU Jazz Singers, directed by David von Kampen, D.M.A. student in composition; and KU Combo I, directed by Matt Otto, KU lecturer in Jazz Studies. Also featured will be KU professor of Film and Media Studies Chuck Berg, tenor saxophone; KU professor of saxophone, Vince Gnojek, saxophone; and KU School of Music dean Robert Walzel, clarinet. The program features jazz arrangements of holiday favorites by some of the most celebrated writers in jazz including Duke Ellington, Gil Evans and Ernie Wilkins. The program includes The First Noel; It Came Upon a Midnight Clear; The Little Drummer Boy; It’s the Most Wonderful Time of the Year; Winter Wonderland; Sugar Rum Cherry; Jingle Bells; and more.  Tickets are $8 for adults and $6 for children, seniors and students. Tickets can be purchased at the Lied Center Ticket Office, by phone at 785-864-2787 or online at www.lied.ku.edu.

*From Take Five Coffee: Friday, November 29, 8 pm:  Project H- Friday we host the huge ensemble sound of a septet that features all original compositions and ridiculous talent. Trombonist and composer Ryan Heinlein leads the way, pushing the swings on a jazz playground with his miscreant playmates - Clint Ashlock (trumpet), Dominique Sanders (bass), Andrew Ouellette (keys), Matt Leifer (drums), Jeff Stocks (guitar) and Brett Jackson (sax). It's like the Little Rascals with horns, sort of. $5 cover.  Saturday, November 30, 8 pm:  Sons of Brasil- Slip a little samba seasoning into your holiday feast! The Sons know how to heat up a cold night - Stan Kessler (trumpet), Danny Embrey (guitar), Greg Whitfield (bass) and Doug Auwarter (drums) are the absolute best around at what they do, and what they do is deliver spell-binding grooves in the Brazilian style $5 cover.

(Original image by Plastic Sax.)

Monday, November 25, 2013

The Best Jazz Performances of 2013























There's still plenty of live music to be experienced in 2013.  Logan Richardson is returning to Kansas City in a few weeks.  And I intend to make the Green Lady Lounge my home away from home in December.  Even so, 2013 has already been an immensely rewarding year for jazz fans.  Here are two lists of the performances I enjoyed most.

Locally-based musicians
1. The People's Liberation Big Band- RecordBar
2. Lisa Henry- The Conference Center at Kansas City Kansas Community College
3. Matt Otto/Ben Pinder Quartet- Westport Coffee House
4. Jeff Harshbarger Quartet- Take Five Coffee
5. The Kansas City Jazz Orchestra with Randy Brecker- Helzberg Hall
6. Rich Wheeler Quartet- Take Five Coffee
7. Vine Street Rumble- Gem Theater
8. Alaturka- Recital Hall at the Carlsen Center
9. Mark Lowrey, Bob Bowman and Sam Wisman- The Majestic
10. Andy McGhie Quartet- Prairie Village Jazz Festival

Touring musicians
1. Julian Lage and Jorge Roeder- Yardley Hall
2. Miguel Zenón and the Rhythm Collective- Blue Room
3. Kurt Elling- Gem Theater
4. Dave Douglas Quintet- Blue Room
5. Eliane Elias Trio- Folly Theater
6. Jerry Dodgion with Rob Scheps- Take Five Coffee
7. James Carter- Folly Theater
8. Caroline Davis- Green Lady Lounge
9. Kenny Barron Trio- Folly Theater
10. Kenny Garrett- Folly Theater

(Original image by Plastic Sax.)

Friday, November 22, 2013

Now's the Time: Kenny Barron


Were it not for some slight sonic distortion, the embedded video of Kenny Barron and Dave Holland playing Charlie Parker's "Billie's Bounce" might be my favorite thing on the internet.  Barron performs at the Folly Theater on Friday, November 22.  He'll be accompanied by bassist Kiyoshi Kitagawa and drummer Lee Pearson.  Joe Klopus' previewed the concert.

Wednesday, November 20, 2013

Confirmation: Weekly News & Notes
















*KCPT uploaded an undated video profile of the Mutual Musicians Foundation to YouTube. 

*T.J. Martley and Gerald Spaits were interviewed by Joe Dimino for Neon Jazz.

*KC Jazz Lark shares illuminating source material as he reexamines the origins of the American Jazz Museum.

*The Kansas City Star reviewed Harry Connick's concert at the Midland theater.

*Chris Burnett reaffirms his commitment to the American Jazz Museum.

*Images of a graveside tribute of Bennie Moten are part of a slideshow of shots taken by photographers for The Kansas City Star.

*The physical edition of Bobby Watson's Check Cashing Day has a new street date of November 26.

*Tweet o' the Week: Ron Gutierrez- I am so, so pleased to announce this Friday's concert! After a few years of planning, the time has come!. (link)

*From Dan Thomas: Dan Thomas and Voyage will be presenting original music and some brand new music in remembrance of JFK at the Blue Room, 18th and Vine, on Nov 22nd from 8:30pm-12:30am.  The evening will mark the 50th anniversary of JFK's assassination and we will provide some musical commentary on what he and his legacy has/can inspire us to do. Wayne Hawkins – Piano, Forest Stewart – Bass, Mike Warren – Drums.

*From a press release: Spirituality & All That Jazz.  Magical Musical Moments with vocalist Bukeka Shoals performing with Tim Whitmer & the Consort Band. Wednesday, December 4, 2013. 7 p.m. Unity on the Plaza. $7.

*From the American Jazz Museum: Join us on Thursday, December 19th, 2013 at the American Jazz Museum in the Blue Room for "KC MAD - Kansas City Musician's Appreciation Day!" It's free! Food and drink.  Truman Medical Centers to provide free assessment screening.  Artist career resources.  Live music by Elderstatesmen of KC Jazz from 5pm - 7pm.  Live music by Carl McComas Reichl from 7:30pm - 11pm.  More activities and items to be announced.

(Original image by Plastic Sax.)

Monday, November 18, 2013

Frank Wess: Magic 101


Most outlets, Plastic Sax included, did a poor job of acknowledging the passing of Frank Wess.  The NEA Jazz Master died on October 30.  A meager post at an obscure jazz blog can't begin to do Wess justice, of course, but it's better than nothing.

Wess, a key component of the version of the Count Basie Orchestra that's most fondly remembered today, was born in Kansas City in 1922.  His flute solo begins at the 1:25 mark of the embedded video.

As I noted in a 2011 entry, Wess remained active.  Rather than listing a few of the hundreds of dates on which Wess applied his unflagging sense of swing, I'll focus on his spectacular new album Magic 101.

Recorded in 2011 and released in June, Wess is backed by pianist Kenny Barron, bassist Kenny Davis and drummer Winard Harper on  the ballad-heavy recording.  An elegant take on "Easy Living" is among the tracks that make my knees buckle.

Wess' unaccompanied version of "All Too Soon" closes the album.  Hauntingly beautiful and unspeakably poignant, it serves as an apt summation of Wess' singular contribution.

Friday, November 15, 2013

Now's the Time: The James Ward Band


The James Ward Band, also known as JWB, returns to the Blue Room on Saturday, November 16.  As depicted in the embedded slide show, the smooth jazz ensemble frequently includes musicians who are familiar to mainstream jazz audiences.