Come Sunday

Steve Lambert made a flute solo sound as tough as nails last night.  The outstanding multi-instrumentalist leads the 627 Big Band at the Green Lady Lounge every Sunday.  Contributions from notable musicians including saxophonist Brett Jackson, trumpeter Stan Kessler and organist Paul Roberts also shone.  Lambert’s formidable ensemble is one of several active big bands that continue to infuse Kansas City’s jazz scene with vitality.

(Original image by Plastic Sax.)

Now's the Time: Walter Smith III

Walter Smith III will perform at the KU Jazz Festival on Friday, March 4.  The saxophonist from Houston is a bandmate of Kansas City’s Logan Richardson in the Next Collective.

Confirmation: Weekly News & Notes

*Laura Spencer of KCUR reports on the Mutual Musicians Foundation's makeover.

*The Green Lady Lounge was named one of America’s greatest jazz clubs by Gear Patrol magazine.

*Bill Frisell’s concert at Atkins Auditorium was reviewed by The Kansas City Star.

*Lee Hartman analyzed a performance by the Ensemble of Irreproducible Outcomes.

*Pitch touts Friday’s concert by the Kansas City Jazz Orchestra.

*Joe Klopus notes the week’s highlights in his latest column.

*Rudresh Mahanthappa discussed the legacy of Charlie Parker with Howard Reich.

*Tweet o’ the Week: Steve Paul- Ambrose Akinmusire, stellar trumpeter, with a quartet right now in the Blue Room. #kc #jazz (photo)

(Original image by Plastic Sax.)

Teach Me Tonight

Stan Kessler, Plastic Sax’s Person of the Year in 2014, Larry Kopitnik, Plastic Sax’s Person of the Year in 2015, and author and radio personality Chuck Haddix are interviewed in a new three-minute feature about Kansas City jazz.

Now's the Time: The Ensemble of Irreproducible Outcomes

The Ensemble of Irreproducible Outcomes, the trio of clarinetist David McIntire, trumpeter Ryan Oldham and bassist Brian Padavic, will perform on Saturday, February 20, at All Souls Unitarian Universalist Church.  The group's set will include material from its 2015 album Memory and Weather.  The Proença Band will present the world premiere of Kyle Gann’s “Proença” after the Ensemble of Irreproducible Outcomes' appearance.

Confirmation: Weekly News & Notes

*Cheptoo Kositany-Buckner, the new CEO of the American Jazz Museum, was interviewed by The Pitch.

*Live at Pilgrim Chapel, the new album by David Basse and Joe Cartwright, was reviewed by KCUR.

*Dominique Sanders was interviewed by Fountain City Frequency.

*Zach Albetta chatted with John Kizilarmut in a podcast for Working Drummer.

*The Kansas City Star and The Pitch highlight Ambrose Akinmusire’s return to Kansas City.

*Tweet o’ the Week: Amanda Graor- @KCCauldron I want to capo and do the occasional tap dance solo on the bar ala Lonnie McFadden thx

*Comment o’ the Week: Mike Metheny- Thank you, Mike Warren, for taking the time to review my sonic experiments, confounding as they admittedly are. Your words were thoughtful and honest, and that works for me. (Note: “Twelve” is the number of albums produced since 1982, as opposed to ten tracks on the CD. That's what I get for being too cryptic…)

(Original image by Plastic Sax.)

Secure Parking

New reports by KCUR correspondents examine Kansas City’s Jazz District from three angles.  The taxpayer investment, tourism challenges and aspirations of people who work in the area are analyzed. 

KCUR’s fine work is commendable, but I’m compelled to address a blatant distortion that's often accepted as fact and a commonly held misconception.  I've visited 18th & Vine about 20 times a year since 2000.  Even though I don't live in the Jazz District and I'm rarely out past 1 a.m., my experiences might be instructive.

Parking. Even when attending large-scale jazz and R&B festivals in Parade Park, I've never had to park more than four blocks away from these events.  When attending concerts at the Gem Theater or shows at the Blue Room, I usually park less than 500 steps away from those venues.  I'm baffled when journalists and public officials lament the absence of a parking garage.

Safety. Visiting the Jazz District was once a dicey proposition.  I had an unsettling encounter near the intersection of 18th Street and Paseo Boulevard in the late 1980s.  That's a distant memory.  I haven't experienced a single safety-related incident in the approximately 300 times I’ve been in the Jazz District in the last 15 years.

(Original image by Plastic Sax.)