Showing posts with label Nedra Dixon. Show all posts
Showing posts with label Nedra Dixon. Show all posts
Wednesday, August 10, 2016
Confirmation: Weekly News & Notes
*Joe Klopus surveyed the week in jazz for The Kansas City Star.
*The Pitch recommended Marcus Hampton’s outing at the Blue Room on Friday.
*The Kansas City Star previewed a new production of “Lady Day at Emerson’s Bar and Grill” that features Nedra Dixon.
*A television station reported that items related to the late Oscar “Lucky” Wesley of the Scamps were given to his grandson after they turned up in an auction. (Via Tony’s Kansas City.)
*KOJH, the radio initiative affiliated with the Mutual Musicians Foundation, recently began streaming a blend of jazz, soul and old-school hip-hop.
*Tweet o’ the Week: Dave Holland- Dave @DeJohnetteMusic @morethan88 free show at Tompkins Square Park NYC for Charlie Parker Jazz Festival, Aug 28. (link)
*Comment o’ the Week: Anonymous- Totally agree with Beau Bledsoe. Audiences at KC jazz clubs talk almost the entire time. It can ruin a great gig for those who like to listen. It is esp. bad at the Blue Room on Mondays and Thursdays.
(Original image by Plastic Sax.)
Labels:
Beau Bledsoe,
Charlie Parker,
Jazz,
Kansas City,
KOJH,
Lucky Wesley,
Marcus Hampton,
Nedra Dixon
Monday, May 4, 2015
Reading the Book of Gaia
Few Kansas City jazz ensembles make me feel more conflicted than Book of Gaia. Some elements of the talented vocal trio thrill me. I find other aspects of the group irritating. A new 17-minute video profile of Book of Gaia serves as a fine introduction to the musical backgrounds of Nedra Dixon, Angela Hagenbach and Pamela Baskin-Watson.
Thursday, March 13, 2014
Now's the Time: Book of Gaia
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Book of Gaia, the ensemble fronted by Pamela Baskin-Watkins, Nedra Dixon and Angela Hagenbach, revives the neglected tradition of jazz showmanship associated with artists including Lambert, Hendricks & Ross. The vocal trio performs at The Broadway Jazz Club on Friday, March 14.
Book of Gaia, the ensemble fronted by Pamela Baskin-Watkins, Nedra Dixon and Angela Hagenbach, revives the neglected tradition of jazz showmanship associated with artists including Lambert, Hendricks & Ross. The vocal trio performs at The Broadway Jazz Club on Friday, March 14.
Monday, May 7, 2012
Review: The Meet Me at the Bridge Festival
I had a nice time at Saturday's Meet Me at the Bridge festival even though I quickly realized that very few of the approximately 250 people in attendance were there to hear performances by several of Kansas City's elite jazz musicians. The free event was actually a community gathering that just happened to feature jazz.
The commemoration of a new bridge on Troost Avenue immediately north of the UMKC campus served as a public forum for a host of politicians, community organizers, educators, environmental advocates and representatives of neighborhood associations. Anyone not familiar with the cultural implications of Troost is encouraged to watch the trailer for We Are Superman. And yes, the filmmaker was on hand to pitch his documentary.
So many speakers crossed the stage and so many clipboard-toting activists worked the modest crowd that I wondered if a friend and I weren't the only people present who weren't directly connected to the event.
I caught two acts in the two hours I spent at the bridge. Pamela Baskin-Watson, Nedra Dixon and Angela Hagenbach are the members of the relatively new ensemble Book of Gaia. The ambitious trio was backed by trombonist Karita Carter, pianist Eddie Moore, bassist Tyrone Clark and drummer Mike Warren.
"We are ladies on a mission," Dixon explained. "We're striking out on a fearless path."
The trio combines the socially conscious themes also explored by Esperanza Spalding on her new Radio Music Society album with a classic sound inspired by Lambert, Hendricks & Ross. Book of Gaia's rarefied approach doesn't appeal to everyone, but it could go over extremely well in the right setting.
I also heard the first set of a band co-led by David Basse and Bobby Watson. The pair were joined by trumpeter Hermon Mehari, saxophonist Steve Lambert, trombonist Ben Sailor, pianist Joe Cartwright, bassist Ben Leifer, a percussionist I didn't recognize and Warren on drums. Although he fired off a couple typically dazzling solos, Watson mostly relegated himself to section playing. It's one of the few opportunities I've had to hear Watson in that context. The band's repertoire included standards like "Smack Dab in the Middle" and "Moanin'." The latter selection can be heard in the background of a solid report from Fox 4 News.
Mildly disappointed that no one invited me to join the evening's cavalcade of speakers, I left before the band resumed.
(Original image of Book of Gaia by Plastic Sax.)
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